SOMB Top 40 Compilations / Reissues of 2008 - Results Thread
#62
Posted 01 January 2009 - 07:37 PM
#63
Posted 01 January 2009 - 07:49 PM
#64
Posted 01 January 2009 - 07:51 PM

King Kahn & the Shrines - The Supreme Genius of King Kahn and the Shrines
(1100 Points, 11 Votes, One #1 Vote)
Tracklist:
1. Torture
2. Took My Lady to Dinner
3. (How Can I Keep You) Outta Harms Way
4. Land of The Freak
5. Fool Like Me
6. I Wanna Be A Girl
7. Welfare Bread
8. Sweet Tooth
9. Shivers Down My Spine
10. Burnin' Inside
11. Destroyer
12. Live Fast Die Strong
13. Crackin' Up
14. Tell Me
15. Que Lindo Sueño
16. No Regrets
Amazon.com Product Description:
Psychedelic soul, garage rock rave-ups, supremely smooth love songs; sixteen smashes available in the US for the first time. The band has been spreading their love in Germany since 1999, releasing full-lengths, EPs, singles, and hard-to-find vinyl. Now Khan brings the greatest of his greatest hits to Vice. Includes liner notes by Jared Swilley of The Black Lips. Look for them on tour in July and August, and at various major festivals and high profile events.
AMG Says:
Vice Records, the musical offshoot of the hilariously snarky Vice Magazine, compiles the best tracks from King Khan & the Shrines' career, piling together 16 of the boys' greasiest platters for The Supreme Genius of King Khan & the Shrines. Vice could be considered the perfect holding cell for the smirking Khan (often pictured in less than pants), whose image relies on tongue-in-cheek sexiness and whose lyrics revel in perverse humor. But beneath all the boisterous tomfoolery lies a surprisingly gifted songwriter well versed in Nuggets-era garage rock, Eric Burdon's gritty stylings, and Sly & the Family Stone's hot buttered soul. Endowed with a massive 12-piece band including a horn section, King Khan & the Shrines' production pays perfect tribute to the era it's reproducing, complete with plate reverb and compression that flattens the organ, Stax-influenced horns, an elastic rhythm section, and analog murk. Many bands imitate the '60s sound (the Black Lips, the Detroit Cobras, and the Brian Jonestown Massacre to name a few), but rarely do they hit the mark with such accuracy. More importantly, the melodies are so warm and memorable that they easily could be confused for hit singles of the baby boomer generation -- if not for some of the racier lyrics. From the raw fuzzy drive of "Torture," "I Wanna Be a Girl," and "No Regrets," all powered by Khan's squeaky yowl, to the softer psych, doo wop, and soul ballads "Fool Like Me," "Crackin' Up," and "Welfare Bread," the tight musicianship and adherence to just what made the vintage sound golden make for a classic batch of songs, even if the material actually isn't all that old. It's enough to mistake Khan for a serious performer, even if he once went by the name of Blacksnake in a band named the Spaceshits. Supreme genius may be laying it on a bit thick, but the songs are indeed as good as the album cover suggests.
Ranked Highest By: theremin (#1)
Amazon Link
#65
Posted 01 January 2009 - 07:55 PM

Bob Dylan - Tell Tale Signs: The Bootleg Series Vol. 8
(1331 Points, 10 Votes, Three #1 Votes)
Tracklist:
Disc one
1. "Mississippi" - 6:04 (Alternate version, Time Out of Mind)
2. "Most of the Time" - 3:46 (Alternate version, Oh Mercy)
3. "Dignity" - 2:09 (Piano demo, Oh Mercy)
4. "Someday Baby" - 5:56 (Alternate version, Modern Times)
5. "Red River Shore" - 7:36 (Unreleased, Time Out of Mind)
6. "Tell Ol' Bill" - 5:31 (Alternate Version of song released on North Country soundtrack)
7. "Born in Time" - 4:10 (Unreleased, Oh Mercy)
8. "Can't Wait" - 5:45 (Alternate version, Time Out of Mind)
9. "Everything Is Broken" - 3:27 (Alternate version, Oh Mercy)
10. "Dreamin' of You" - 6:23 (Unreleased, Time Out Of Mind)
11. "Huck's Tune" - 4:09 (From Lucky You soundtrack)
12. "Marchin' to the City" - 6:36 (Unreleased, Time Out of Mind)
13. "High Water (For Charley Patton)" - 6:40 (Live, August 23, 2003, Niagara Falls, Ontario, Canada)
Disc two
1. "Mississippi" - 6:24 (Alternate version #2, Time Out of Mind)
2. "32-20 Blues" - 4:22 (Unreleased, World Gone Wrong)
3. "Series of Dreams" - 6:27 (Unreleased, Oh Mercy)
4. "God Knows" - 3:12 (Unreleased, Oh Mercy)
5. "Can't Escape from You" - 5:22 (Unreleased, December 2005 Recording)
6. "Dignity" - 5:25 (Unreleased, Oh Mercy)
7. "Ring Them Bells" - 4:59 (Live at The Supper Club, November 17, 1993, New York, NY)
8. "Cocaine Blues" - 5:30 (Live, August 24, 1997, Vienna, VA)
9. "Ain't Talkin'" - 6:13 (Alternate version, Modern Times)
10. "The Girl on the Greenbriar Shore" - 2:51 (Live, June 30, 1992, Dunkerque, France)
11. "Lonesome Day Blues" - 7:37 (Live, February 1, 2002, Sunrise, FL)
12. "Miss the Mississippi" - 3:20 (Unreleased, 1992)
13. "The Lonesome River" - 3:04 (With Ralph Stanley, from the album Clinch Mountain Country)
14. "'Cross the Green Mountain" - 8:15 (From Gods and Generals Soundtrack)
Amazon.com Product Description: n/a
AMG Says: Tell Tale Signs is perhaps the most appropriately titled of all the volumes in Bob Dylan's official Bootleg Series thus far. Containing 27 tracks, the material here dates from the albums Oh Mercy through to 2006's Modern Times. It presents a carefully prepared sonic treat of a genuine enigma's musical world-view. Dylan may be an icon, but if it wasn't already obvious, he seems to perceive the modern world as a strange place that he no longer understands, nor wishes to. The music here is startling in its depth and presentation. It begins with one of the two versions of "Mississippi" included; the song first appeared on Love and Theft, but was written for the Time Out of Mind sessions five years earlier. This one, with only Daniel Lanois' electric guitar as backing, shows Dylan in full voice, and performing it as a midtempo blues. It's jauntier in tempo, but harder, leaner, and wearier than the released version. Even more shocking is "Most of the Time," which has become a signature of Lanois' production style with its warm, thickly padded guitars and muffled drums. This one features Dylan solo with harmonica and guitar. It comes off as a statement of actuality about strengths and weaknesses rather than as a treatise of denial in the aftermath of lost love. It feels like a back-porch country song here, with different lyrics that underscore the singer's steely determination. There are some truly amazing stops along the way. The unreleased "Red River Shore" would have shifted some of the darkness on Time Out of Mind to some declaration of empathy and even tenderness had it been released. Likewise, "Marchin' to the City," one of the best slow blues Dylan has ever written, offers a respite from the desolation on that album. Soundtracks get represented, too: the alternate take of "Tell Ol' Bill," from North Country, is a semi-rag tune with rambling honky tonk piano, and "Huck's Tune," from Lucky You, creates a more complex look at the male lead in the film with a Celtic undertow in the melody. Disc one closes with a burning live reading of "High Water (For Charley Patton)," with overdriven electric guitars replacing the banjo.
A real surprise on disc two is a dynamite reading of Robert Johnson's "32-20 Blues" that was originally recorded for the covers-only World Gone Wrong, but left in the can. A completely unreleased tune, "Can't Escape from You" portrays Dylan the folksinger as a lover of early rock & roll ballads. In his own wrecked way, he pays homage (in waltz time) to the Platters, Doc Pomus, Leiber & Stoller, and Cisco Houston with a lonely B-3 and trebly guitars. There are two takes of "Dignity" here as well (one on each disc), the first a prophetic gospel solo piano version and the second a full-band roots rock rave-up. The version of "Ring Them Bells" recorded live at New York's Supper Club is so utterly moving that it raises goosebumps and leaves the studio version in the dust. The disc closes with the greatest moment on the whole set: "'Cross the Green Mountain," from the Gods and Generals soundtrack. Veteran Dylanologist Larry Sloman claims in his truly brilliant and incisive liner notes that this "might be his finest hour as a songwriter." The amazing thing? It's not just hyperbole. In all, even in some of its familiarities, Tell Tale Signs feels like a new Bob Dylan record, not only for the astonishing freshness of the material, but also for the incredible sound quality and organic feeling of everything here. It's a carefully presented set, but it's full of life and crackling energy and offers yet more proof -- as if any were needed -- that Dylan remains as cagey, unpredictable, and yes, profound and relevant as he ever was. [There is also an expensive deluxe version of this set that includes an exclusive bonus CD with 12 extra tracks. These include a third version of "Mississippi," and a second one of "Ring Them Bells," but it also includes wonderful live readings of "Tryin' to Get to Heaven Before They Close the Door,"and "Cold Irons Bound," the unreleased "Duncan and Brady," from 1992 on the aborted David Bromberg sessions, and the traditional ballad "Mary and Tthe Soldier," a cutting-room floor outtake from World Gone Wrong. There is also a 150-page 8"x8" book featuring pics of Dylan's singles, as well as a larger format CD booklet with more photos and complete track details. All of it packaged in a hardcover solid slipcase.]
Ranked Highest By: birdistheword, solace, BobtheSquid (#1)
Amazon Link
#66
Posted 01 January 2009 - 07:57 PM

Damo Suzuki: So, um, yeah. Getting older isn't as bad as it sounds. Better than being young & poor (DjDrake) or young & slutty (SG) or young, poor and slutty (Paves); am I right?
Alright, my friends. It's time for another solid little rock jam
#67
Posted 01 January 2009 - 08:01 PM

Dennis Wilson - Pacific Ocean Blue (Legacy Edition)
(1485 Points, 13 Votes)
Tracklist:
Disc One
1. "River Song" (Dennis Wilson/Carl Wilson) - 3:44
2. "What's Wrong" (Dennis Wilson/Gregg Jakobson/Michael Horn) - 2:23
3. "Moonshine" (Dennis Wilson/Gregg Jakobson) - 2:27
4. "Friday Night" (Dennis Wilson/Gregg Jakobson) - 3:10
5. "Dreamer" (Dennis Wilson/Gregg Jakobson) - 4:23
6. "Thoughts of You" (Dennis Wilson/Jim Dutch) - 3:04
7. "Time" (Dennis Wilson/Karen Lamm-Wilson) - 3:32
8. "You and I" (Dennis Wilson/Karen Lamm-Wilson/Gregg Jakobson) - 3:25
9. "Pacific Ocean Blues" (Dennis Wilson/Mike Love) - 2:37
10. "Farewell My Friend" (Dennis Wilson) - 2:26
11. "Rainbows" (Dennis Wilson/Carl Wilson/Steve Kalinich) - 2:48
12. "End of The Show" (Dennis Wilson/Gregg Jakobson) - 2:57
13. "Tug Of Love" (Dennis Wilson/Gregg Jakobson) - 3:44
14. "Only With You" (Dennis Wilson/Mike Love) - 3:57
15. "Holy Man" [instrumental] (Dennis Wilson/Gregg Jakobson) - 4:24
16. "Mexico" (Dennis Wilson)
Disc Two: Bambu (The Caribou Sessions)
1. "Under The Moonlight" (Carli Munoz) - 3:55
2. "It's Not Too Late" (Carli Munoz) - 4:22
3. "School Girl" (Dennis Wilson/Gregg Jakobson) - 2:31
4. "Love Remember Me" (Dennis Wilson/Gregg Jakobson/Steve Kalinich) - 4:04
5. "Love Surrounds Me" (Dennis Wilson/Geoffrey Cushing-Murray) - 3:40
6. "Wild Situation" (Dennis Wilson/Gregg Jakobson) - 2:41
7. "Common" (Dennis Wilson) - 3:34
8. "Are You Real" (Dennis Wilson/Gregg Jakobson) - 3:38
9. "He's A Bum" (Dennis Wilson/Gregg Jakobson) - 2:50
10. "Cocktails" (Dennis Wilson/Gregg Jakobson/John Hanlon) - 3:00
11. "I Love You" (Dennis Wilson/Gregg Jakobson) - 2:02
12. "Constant Companion" (Carli Munoz/Rags Baker) - 3:22
13. "Time For Bed" (Dennis Wilson/Gregg Jakobson) - 3:07
14. "Album Tag Song" (Dennis Wilson) - 3:45
15. "All Alone" (Carli Munoz) - 3:44
16. "Piano Variation on Thoughts Of You" (Dennis Wilson) - 3:03
17. "Holy Man (Taylor Hawkins Version)" (Dennis Wilson/Gregg Jakobson/Taylor Hawkins) - 4:25
Amazon.com Product Description:
Standard edition. Two CD set with 33 tracks. After 30 years, this lost classic reemerges to the delight of fans worldwide. Since coming out in 1977, this CD had only been released for six months in 1991. This collections contains never officially released tracks from Dennis' Bambu album which only existed as bootlegs for decades. Per Dennis Wilson 'Everything that I am or will ever be is in the music. If you want to know me, just listen.' Features 'Holy Man' an unfinished track that never received Dennis' vocal part with Taylor Hawkins of the Foo Fighters laying down brand new vocals. This limited edition deluxe packing feature 50 page, full color book with two brand new essays and never-before-seen photos and memorabilia.
AMG Says:
When Dennis Wilson's solo debut, Pacific Ocean Blue, was released on James Guercio's CBS-distributed Caribou Records in 1977, few had high expectations for it. Dennis' brother Brian Wilson was, after all, the acknowledged genius and mastermind of the Beach Boys sound and his other brother Carl Wilson had the voice, so little was expected of Dennis, the pretty boy drummer and near-professional party animal. But Pacific Ocean Blue was a gorgeous masterpiece, full of a naked and affirming spirit, romantic (in the best sense of the word), lush, wise, patient, and even panoramic, almost avant-garde, and worlds past and beyond what any of the other Beach Boys were doing at the time. It was also, perhaps not surprisingly, a resounding commercial flop, although the critical reaction to the album was strong and positive. Wilson began work on a follow-up, tentatively entitled Bambu, mixing in some new New Orleans and Caribbean elements, but the project was never finished and by the time of Wilson's death in 1983, Bambu had been sitting untouched and unfinished for nearly five years. Boots taken from LP copies of Pacific Ocean Blue and leaked tapes of the Bambu material have been bouncing around among collectors ever since and Wilson's solo work has taken on the allure and status of lost treasure. This wonderful two-disc set features a carefully restored and remastered version of the Pacific Ocean Blue LP and collects the remnants of Bambu along with other Wilson solo odds and ends to make a convincing case for Dennis Wilson as the other bona fide musical genius in the Beach Boys. It's difficult to describe Wilson's sound on these tracks, although "California gospel soul" might fit, since Wilson's raspy, wounded vocals carry more naked emotion and feeling than any of the other Beach Boys vocalists, even if Carl (and sometimes Brian) could sing like an angel. Dennis could sing like an angel, too, but an earthbound one who lost his wings yet never lost his love of the spiritual and romantic in the world. Highlights from this gorgeous, fascinating set include the majestic "River Song"; a chilling version of Carli Munoz's "It's Not Too Late"; the hauntingly tentative "Thoughts of You"; the personal, intimate, and self-autobiographical "He's a Bum"; and the two versions of "Holy Man," the first a beautiful, charming instrumental and the second, which closes things out here, featuring a newly recorded lead vocal from Foo Fighters drummer Taylor Hawkins. Beautiful, sprawling, peaceful, wise, and as tenderly romantic as the world is round, these Dennis Wilson gems are as revelatory as they are stunning. Dennis Wilson was a man in love with life, a man in love with love, and as this essential package shows, he had an achingly personal vision for it all.
Ranked Highest By: The Luscious Phil, Mitchell, arkin, Campaigner (#2)
Amazon Link
#1.

Nick Lowe - Jesus of Cool (30th Anniversary Edition)
(1670 Points, 12 Votes, Three #1 Votes)
Tracklist:
The original album
1. "Music for Money" – 2:03
2. "I Love the Sound of Breaking Glass" (Lowe, Andrew Bodnar, Steve Goulding) – 3:05
3. "Little Hitler" (Lowe, Dave Edmunds) – 2:51
4. "Shake and Pop" – 3:13
5. "Tonight" – 3:45
6. "So It Goes" – 2:23
7. "No Reason" – 3:25
8. "36 Inches High" (Jim Ford) – 2:50
9. "Marie Provost" – 2:41
10. "Nutted by Reality" – 2:46
11. "Heart of the City" (Live) – 4:15
And more
1. "Shake That Rat" - 2:12
2. "I Love My Label" (Lowe, "Profile") - 3:00
3. "They Called It Rock" (Lowe, Billy Bremner, Dave Edmunds, Terry Williams) - 3:13
4. "Born a Woman" (M. Sharp) - 2:27
5. "Endless Sleep" - 4:08
6. "Halfway to Paradise" (Gerry Goffin, Carole King) - 2:26
7. "Rollers Show" - 3:32
8. "Cruel to Be Kind" (Lowe, Ian Gomm) (original Brinsley Schwarz version) - 2:52
9. "Heart of the City" - 2:07
10. "I Don't Want the Night to End" 1:57
Amazon.com Product Description:
2008 marks the 30th anniversary of Nick Lowe's seminal 1978 album Jesus of Cool. The album, released in the U.S. as Pure Pop for Now People, marks the beginning of one of the most storied and influential solo careers in pop music and marks the true emergence of a songwriting monolith. The album is a literal compendium of 25 years of pop music history. Here, the sweet melodies of pre-Beatles pop, the energy of the British Invasion, the excess of glam and elements of ska and new wave don t blend but stand side by side on the field of battle, each one willing to lay down his life for the other. Jesus is the crossroads where pop music and pop culture collide, self-aware for the first time, fusing into a white hot chunk of rock n roll energy.
Here, on this 30th anniversary edition of the album, the original and U.S. versions of the album are combined to include all material ever available on either release. In addition, seven bonus cuts are included making this the definitive version of this undisputed pop masterpiece.
AMG Says:
On the cover of his solo debut album Jesus of Cool, Nick Lowe is pictured in six rock & roll get-ups -- hippie, folkie, greasy rock & roller, new wave hipster -- giving the not-so-subtle implication that this guy can do anything. Nick proves that assumption correct on Jesus of Cool, a record so good it was named twice, as Lowe's American record label got the jitters with Jesus and renamed it Pure Pop for Now People, shuffling the track listing (but not swapping songs) in the process. As it happens, both titles are accurate, but while the U.K. title sounds cooler, capturing Lowe's cheerfully blasphemous rock & roll swagger, Pure Pop describes the sound of the album, functioning as a sincere description of the music while conveying the wicked, knowing humor that drives it. This is pop about pop, a record filled with songs that tweak or spin conventions, or are about the industry. Only a writer with a long, hard battle with the biz in his past could write "Music for Money" and much of Jesus of Cool does feel like a long-delayed reaction to the disastrous American debut of Brinsley Schwarz, where the band's grand plans at kick-starting their career came crumbling down and pushed them into the pubs. Once there, the Brinsleys spearheaded the back-to-basics pub rock movement in England and as the years rolled on the band got loose, as did Lowe's writing, which got catchier and funnier on the group's last two albums, Nervous on the Road and New Favourites of Brinsley Schwarz.
In retrospect, it's possible to hear him inch toward the powerful pop of Jesus of Cool on the Dave Edmunds-produced New Favourites, plus the handful of singles the group cut toward the end of their career -- it's not far cry from the Brinsleys' stomping cover of Tommy Roe's "Everybody" to the shake and pop of Jesus -- but even with this knowledge in hand, Jesus of Cool still sounds like an unexpected explosion as it bursts forth with blindingly bright colors and a cavalcade of giddy pure sound. Lowe is letting his id run wild: he's dispensed with any remnants of good taste -- well, apart from the gorgeous "Tonight," the only time the album dips into ballads -- and indulged in a second adolescence, bashing out three-chord rockers and cracking jokes with both his words and music. This reckless rock and pop works not just because the tracks crackle with excitement -- not for nothing did Nick earn the name "Basher" in this period; he cut quickly and moved on, the performances sounding infectious and addictive -- but because it's written with the skill that Lowe developed in the Brinsleys. He knows how to twist words around, knows how to mine black humor in "Marie Provost," knows how to splice "Nutted by Reality" into a brilliant McCartney parody, knows how to pull off the old Chuck Berry trick of spinning a tune into two songs, as he turns "Shake and Pop" into the faster, wilder "They Called It Rock." That latter bit picks up a key bit about Jesus of Cool -- it's self-referential pop that loves the past but doesn't treat it as sacred. It is the first post-modern pop record in how it plays as it builds upon tradition and how it's all tied together by Lowe's irrepressible irreverence. It's hard to imagine any of the power pop of the next three decades without it, and while plenty have tried, nobody has made a better pure pop record than this...not even Nick (of course, he didn't really try to make another record like this, either).
Nobody may have bettered Jesus of Cool, but Yep Roc's 30th Anniversary edition of the album betters it by tacking on ten bonus tracks, all recorded after the demise of Brinsley Schwarz in 1974 and before the 1978 release of Jesus of Cool -- a time that was dubbed The Wilderness Years on a 1992 compilation that gathered these stray tracks. Here, it was possible to hear Lowe shake off pub rock in favor of pop. Sometimes, he tried very hard to leave the past behind, as when he cut a series of bubblegum singles that they would force United Artists to cut him loose from his contract. The first of those, the Tartan Horde, cut a tribute single to the Bay City Rollers which turned into a Japanese hit ("Rollers Show" turned up on Jesus, but the Gary Glitter send-up "Allorolla" and "Bay City Rollers We Love You" did not), which kept UA's interest high until Lowe's Disco Brothers singles extinguished the label's desire to keep him around, paving the way toward Jesus of Cool. Neither the two other Tartan Horde cuts or the Disco Brothers single are on this expanded edition (Yep Roc is offering it as a bonus download), nor are any of the harder-rocking cuts from The Wilderness Years -- "Fool Too Long," the two-chord "Truth Drug" and "I Got a Job" all are terrific reasons to seek the comp out after wearing out this reissue -- but there is a heavy dose of that disc's 18 songs, all skewing toward the bright, subversive pop that's on the proper album. There are traces of pub rock here, in the rampaging "I Don't Want the Night to End" and the country-rock "I Love My Label," but they're driven from the pub by a blindingly brilliant hook on the former and sly humor on the latter. These bonus tracks also showcase more of Lowe's pop personalities: "Shake That Rat" is a delirious instrumental, he turns Sandy Posey's "Born a Woman" upside down, he conveys the majestic sweep of the Wall of Sound on a cover of Goffin & King's "Halfway to Paradise." The bonus tracks also include "Heart of the City," the B-side of "So It Goes," the first single released on Stiff Records and thereby one of the opening salvos in the punk revolution (a live version was on the actual album), and an early version of "Cruel to Be Kind," which would turn out to be Nick's biggest hit just a couple years later. This early version is faster, wilder compared to the version he'd cut with Rockpile, and that description applies to all of his Jesus of Cool era. It's when Nick Lowe ran wild, creating pop that was pure, peerless, and permanently thrilling.
Ranked Highest By: Campaigner, Rob Gordon, Pookie (#1)
Amazon Link
#68
Posted 01 January 2009 - 08:05 PM
#69
Posted 01 January 2009 - 08:19 PM
#70
Posted 01 January 2009 - 08:33 PM
Nice surprise, I guess. I suppose that the type of people who buy music also dig Nick Lowe?

Damo Suzuki: So, um, yeah. Getting older isn't as bad as it sounds. Better than being young & poor (DjDrake) or young & slutty (SG) or young, poor and slutty (Paves); am I right?
Alright, my friends. It's time for another solid little rock jam
#71
Posted 01 January 2009 - 08:48 PM
#72
Posted 01 January 2009 - 08:53 PM
#73
Posted 01 January 2009 - 09:21 PM
#74
Posted 01 January 2009 - 09:27 PM
Gay Retard
Real quality boarding in this thread Paves.
#75
Posted 01 January 2009 - 09:42 PM
Here are the expanded results. This is everything that was voted for. It goes rank, album, total points, number of votes, and number of #1 votes.
54 Top Ranking: A Diplo Dub 200 1 1
did this just get lost in confusion as to where it should be voted or did noone listen to this? it's so good...
...if you liked the santogold album at all, this blows that away
04/03 - White Lies, Friendly Fires @ Double Door
04/06 - Glasvegas, Ida Maria @ Bottom Lounge
05/30 - Fischerspooner @ Metro
#76
Posted 01 January 2009 - 09:53 PM
AOY*KYGHJKHJAAHHHHHHHHHHHHHHHHHHAAAARRRRRRGSGGGGGGHHHHHHHHHI forgot to vote for that Studio album. I thought that it was a studio album,
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awesome
Didn't plan on that at all. That's awesome.
I need to check out that Dennis Wilson album BIG TIME.


#77
Posted 01 January 2009 - 10:18 PM
You won't be let down. It made me appreciate their first two albums even more.edit: That Ween live album looks awesome, and it took me a total of 30 seconds after seeing the fact that it existed to put it in my amazon.com basket and buy the hell out of it.
#78
Posted 01 January 2009 - 10:55 PM
Sorry some of this is taking so long.
Are you fucking kidding dude? Great job, on all the polls. It's the people voting for Jay Retard that should apologize
#79
Posted 01 January 2009 - 11:35 PM
You are a two star message board poster.Gay Retard
Real quality boarding in this thread Paves.
Think about that.

Damo Suzuki: So, um, yeah. Getting older isn't as bad as it sounds. Better than being young & poor (DjDrake) or young & slutty (SG) or young, poor and slutty (Paves); am I right?
Alright, my friends. It's time for another solid little rock jam
#80
Posted 02 January 2009 - 12:22 AM
[size=5][b]#4.
I've heard a bunch about King Khan,But the only song I've really heard is "Zombie" with BBQ Show.Is this comp a good starting place for them?
Also,great job on this list and I need to purchase quite a few of these soon.












