6) Gran Torino
Finally someone else gives this movie the love it deserves!
The Searchers of our generation. Stories are similar. Racist a-holes saving kids.
Speaking of...
Gentle now the tender breeze blows, whispers through my Gran Torino.
Gran Torino: A few years back, I remember someone writing that the film "
Paparazzi is what happens "when Hollywood starts making movies for themselves, about subjects only they are interested in". In some ways, the first half of that statement, slightly modified, is pretty up in the summation of
Gran Torino: "Gran Torino is what happens when the elderly start making movies for themselves". The basic plot elements could have been culled straight from the subjects of 'Dear Abby' letters: my children don't call me unless they want something, my grandchildren are spoiled, how come nobody takes care of their yards anymore?, all young people crave hard work and discipline, etc. etc. But, it's also hard to not see that Eastwood is having a ball here as a slightly more racist Dirty Harry now-retired, and alone, and it's hard not to enjoy watching him, especially when he 's making ridiculous cartoony angry faces, like in the photo above. Here, he is Walt "Don't call me Wally" Kowalski, retired ex-Army man and Ford prodcution worker. Newly-widowered, he spends his days drinking, and...drinking. He breaks up a skirmish at his Hmong neighbourhs' place, not because he cares about the people involved, but because, as most elderly people are concerned with, they're messing up his lawn. It's not until he witnesses the young Hmong girl standing up to three guys accosting her that he's drawn into helping her: that she's like him, completely stubborn and outspoken, refusing to shrink into the background or meekly walk away. And she doesn't care that he's a cranky old racist, she lets it bounce right off her, not willing to let an ally go, just because he's set in his ways. Contrary to the trailers that run so prominently,
Gran Torino isn't really a reveng picture, nor is it a vigilante film, it's mostly about a most unlikely friendship: between said cranky old racist, and the young Hmong boy next door, whom Kowalski teaches to be a man, or at least his vision of a man. And, Eastwood sings the freaking theme song! I enjoyed this a lot. It should be somwhere in my Top 10.