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#6181 Campaigner

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Posted 08 August 2008 - 12:49 AM

Michael Mann's easily the best filmmaker working today.

:blink:


Can't believe I live in a world where people think that my statement is " :blink: worthy", haha

Seriously, Michael Mann's easily my favourite director, if not of all time then definitely of those working today.

Christopher Nolan is good, but as good as his Batman films have been, 'Batman Begins' is only so good because he followed Joel Schumacher. 'Memento' is an overrated mess. 'The Prestige' was much better.

I'd say Terry Malick, but can people honestly tell me if he's actually working today? All you hear are rumours.

Probably one of the only directors who comes close to Mann in my estimation is David Fincher, who should just hurry up and direct 'Rendezvous With Rama' already...

#6182 M_Rots

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Posted 08 August 2008 - 02:37 AM

Michael Mann's easily the best filmmaker working today.

:blink:


Christopher Nolan is good, but as good as his Batman films have been, 'Batman Begins' is only so good because he followed Joel Schumacher. 'Memento' is an overrated mess. 'The Prestige' was much better.



You're maybe the first person I've run across who feels as I do about Memento - every time I try watching it, I fall asleep. I think Insomnia is also much better. Flawed, but highly enjoyable - one of Pacino's last great performances if you buy, as I do, the notion that he's been in decline for most of the last 10 years.

#6183 Magnus Malcolm

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Posted 08 August 2008 - 05:00 PM

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eXistenZ: I'd heard some soso to negative things about this movie before, but after watching it, I still feel like Cronenberg can do no wrong. Just awesome. Incredibly entertaining and unique. If I'm not careful, I may even end up liking Jude Law, who I used to despise.
"Attention camp compound. Urine specimens will be required from all pers... Uh... pe... Uh, disregard last transmission." -Announcer, M.A.S.H.

#6184 Ogawa

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Posted 09 August 2008 - 04:11 AM

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Finally got around to watching Persepolis. Eh. It was competent but unimpressive, unnecessary, and unambitious.

I think a live-action adaptation, perhaps done in a high-contrast black and white and shot like a Noir picture with lots of glorious shadows, would have been significantly more compelling. The rudimentary animation makes me wonder why they felt the need to adapt this story to film at all. I see no reason to simply replicate the graphic novel. We already have the cartoon in book form. Why not add another dimension to the work? Satrapi's drawings in the book are adequate but lack character and aren't exactly stunning. Why her style was so exactingly preserved for the film is a mystery to me.

The film actually highlights many of the flaws of the graphic novel in that it plays like a dispassionate recitation of bullet points. No drama and no suspense. The film is an endless montage where scenes last only long enough for the characters to spout a few basic observations or deliver a brief history lesson before moving on. Any actual relationships are left woefully undeveloped and any exploration of theme is as simplistic as the animation.
Few beings have ever been so impregnated, pierced to the core, by the conviction of the absolute futility of human aspiration. The universe is nothing but a furtive arrangement of elementary particles. A figure in transition toward chaos. That is what will finally prevail. The human race will disappear. Other races in turn will appear and disappear. And human actions are as free and as stripped of meaning as the unfettered movements of the elementary particles. Good, evil, morality, sentiments? Pure ‘Victorian fictions.’ All that exists is egotism. Cold, intact, and radiant.

Michel Houellebecq

#6185 fabulous muscles

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Posted 09 August 2008 - 01:49 PM

NP: AIRPLANE!
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No Homo.

#6186 Ogawa

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Posted 10 August 2008 - 01:03 PM

Saw Werner Herzog's Encounters At the End of the World last night. Really wonderful film. Fascinating people, beautiful images. Really funny and at times quite moving. I highly recommend it to anyone if it's playing in their area.

Also got around to watching In The Valley Of Elah. Not impressed. It didn't really have a lot going on and the central attempt at a metaphor with the David and Goliath story had no effect on me whatsoever. In fact I'm not even sure it makes any sense in the context of the story. Roger Deakins' photography was fine, but nothing special. His work in The Assassination of Jesse James and No Country For Old Men was much more inspired and the nominations reflect that. I don't know why Tommy Lee Jones was nominated for this film. His work in No Country was superior. Paul Haggis continues to be exceedingly dull as a writer and director.
Few beings have ever been so impregnated, pierced to the core, by the conviction of the absolute futility of human aspiration. The universe is nothing but a furtive arrangement of elementary particles. A figure in transition toward chaos. That is what will finally prevail. The human race will disappear. Other races in turn will appear and disappear. And human actions are as free and as stripped of meaning as the unfettered movements of the elementary particles. Good, evil, morality, sentiments? Pure ‘Victorian fictions.’ All that exists is egotism. Cold, intact, and radiant.

Michel Houellebecq

#6187 RabbiSchmoiley

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Posted 10 August 2008 - 02:20 PM

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Finally got around to watching Persepolis. Eh. It was competent but unimpressive, unnecessary, and unambitious.

I think a live-action adaptation, perhaps done in a high-contrast black and white and shot like a Noir picture with lots of glorious shadows, would have been significantly more compelling. The rudimentary animation makes me wonder why they felt the need to adapt this story to film at all. I see no reason to simply replicate the graphic novel. We already have the cartoon in book form. Why not add another dimension to the work? Satrapi's drawings in the book are adequate but lack character and aren't exactly stunning. Why her style was so exactingly preserved for the film is a mystery to me.

The film actually highlights many of the flaws of the graphic novel in that it plays like a dispassionate recitation of bullet points. No drama and no suspense. The film is an endless montage where scenes last only long enough for the characters to spout a few basic observations or deliver a brief history lesson before moving on. Any actual relationships are left woefully undeveloped and any exploration of theme is as simplistic as the animation.


Yikes, I disagree with you here... I saw it earlier in the week and really liked it. I really can't imagine how live-action would have improved upon it. I do agree with your comment about not replicating the graphic novel... but I feel that way about 95% of the movies being made from books.

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I just watched this. Maybe not as funny as the original, but still pretty damn hilarious. Best line ever: "It looks like Osama Bin Laden's beard!"

#6188 Ogawa

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Posted 10 August 2008 - 02:54 PM

Yikes, I disagree with you here... I saw it earlier in the week and really liked it. I really can't imagine how live-action would have improved upon it. I do agree with your comment about not replicating the graphic novel... but I feel that way about 95% of the movies being made from books.

Yeah, I know I'm in the extreme minority of opinion regarding the film. Live-action wouldn't have been a quick fix. If they'd shot the same script live-action, it would've been just as bad. They really needed to add more meat to the film.
Few beings have ever been so impregnated, pierced to the core, by the conviction of the absolute futility of human aspiration. The universe is nothing but a furtive arrangement of elementary particles. A figure in transition toward chaos. That is what will finally prevail. The human race will disappear. Other races in turn will appear and disappear. And human actions are as free and as stripped of meaning as the unfettered movements of the elementary particles. Good, evil, morality, sentiments? Pure ‘Victorian fictions.’ All that exists is egotism. Cold, intact, and radiant.

Michel Houellebecq

#6189 Mike Schank

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Posted 10 August 2008 - 03:05 PM

Last Night: A Simple Plan- 4 out of 5 on Netflix Tonight: Super High Me

#6190 Magnus Malcolm

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Posted 10 August 2008 - 07:37 PM

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The Brood: Hmm. What to say about this one. Enjoyed it as a I do any Cronenberg film, a fun movie with some great moments. I feel like, if I thought
Spoiler

"Attention camp compound. Urine specimens will be required from all pers... Uh... pe... Uh, disregard last transmission." -Announcer, M.A.S.H.

#6191 Ogawa

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Posted 10 August 2008 - 08:46 PM

Just finished watching Neil Jordan's The Brave One. lol. Wow, that was terrible.
Few beings have ever been so impregnated, pierced to the core, by the conviction of the absolute futility of human aspiration. The universe is nothing but a furtive arrangement of elementary particles. A figure in transition toward chaos. That is what will finally prevail. The human race will disappear. Other races in turn will appear and disappear. And human actions are as free and as stripped of meaning as the unfettered movements of the elementary particles. Good, evil, morality, sentiments? Pure ‘Victorian fictions.’ All that exists is egotism. Cold, intact, and radiant.

Michel Houellebecq

#6192 Bob Loblaw

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Posted 10 August 2008 - 09:33 PM

Just finished watching Neil Jordan's The Brave One. lol. Wow, that was terrible.



You obviously haven't ventured into the 2008 Mid-Year Correction today. We could've saved you a couple hours.

I'm watching Reservoir Dogs on IFC right now for the first time in years. I never realized how forced the soundtrack was in this. THe selections are cool, but there's way too much Sounds Of The Seventies in every damn scene.

#6193 brobee

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Posted 10 August 2008 - 10:12 PM

Saw Werner Herzog's Encounters At the End of the World last night. Really wonderful film. Fascinating people, beautiful images. Really funny and at times quite moving. I highly recommend it to anyone if it's playing in their area.

Also got around to watching In The Valley Of Elah. Not impressed. It didn't really have a lot going on and the central attempt at a metaphor with the David and Goliath story had no effect on me whatsoever. In fact I'm not even sure it makes any sense in the context of the story. Roger Deakins' photography was fine, but nothing special. His work in The Assassination of Jesse James and No Country For Old Men was much more inspired and the nominations reflect that. I don't know why Tommy Lee Jones was nominated for this film. His work in No Country was superior. Paul Haggis continues to be exceedingly dull as a writer and director.



exceedingly dull is a step up for haggis. i enjoyed moments of elah, as mixed as it was (mostly that anything with charlize theron cannot be a total wash). which is more than can be said of crash.

#6194 Magnus Malcolm

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Posted 10 August 2008 - 10:57 PM

...but there's way too much Sounds Of The Seventies in every damn scene.

Definitely. Still like the movie quite a damn lot, but that always bugs me a bit.

And yeah, I've avoided The Brave One. I've got nothing against the guy, but I feel like Terrence Howard is in about 12 movies a year now, dunno why, but I just see him everywhere, and often in bad places.
"Attention camp compound. Urine specimens will be required from all pers... Uh... pe... Uh, disregard last transmission." -Announcer, M.A.S.H.

#6195 Ogawa

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Posted 11 August 2008 - 01:03 AM

Just finished watching Neil Jordan's The Brave One. lol. Wow, that was terrible.

You obviously haven't ventured into the 2008 Mid-Year Correction today. We could've saved you a couple hours.

I believe you mean the Worst Dialogue Evah thread. And I hate to admit it but it was actually the quotes from The Brave One listed in that thread that made my girlfriend and I want to watch it, just to see how bad it could possibly be. The quotes made it seem like it was self-aware bad. But no. It's very earnest and stupefyingly bad. Sarah Mclachlan songs? Three different times? F'real? lol

And you're right to avoid it, Magnus. Terrence Howard was awful. It's like the director stopped after each take and said, "Alright, Terrence. Let's do it again, but this time make it less interesting."
Few beings have ever been so impregnated, pierced to the core, by the conviction of the absolute futility of human aspiration. The universe is nothing but a furtive arrangement of elementary particles. A figure in transition toward chaos. That is what will finally prevail. The human race will disappear. Other races in turn will appear and disappear. And human actions are as free and as stripped of meaning as the unfettered movements of the elementary particles. Good, evil, morality, sentiments? Pure ‘Victorian fictions.’ All that exists is egotism. Cold, intact, and radiant.

Michel Houellebecq

#6196 Bob Loblaw

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Posted 11 August 2008 - 08:21 AM

Just finished watching Neil Jordan's The Brave One. lol. Wow, that was terrible.

You obviously haven't ventured into the 2008 Mid-Year Correction today. We could've saved you a couple hours.

I believe you mean the Worst Dialogue Evah thread. And I hate to admit it but it was actually the quotes from The Brave One listed in that thread that made my girlfriend and I want to watch it, just to see how bad it could possibly be. The quotes made it seem like it was self-aware bad. But no. It's very earnest and stupefyingly bad. Sarah Mclachlan songs? Three different times? F'real? lol

And you're right to avoid it, Magnus. Terrence Howard was awful. It's like the director stopped after each take and said, "Alright, Terrence. Let's do it again, but this time make it less interesting."



Yep, you're right. And I watched Gigli for the same reason. Or, I should say I started Gigli.

#6197 feisty

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Posted 11 August 2008 - 08:47 AM

I have two secret favorite subgenres,
one is obviously the military comedy.

The other is the 1990s (this one is 1999) quirky, high B-grade, vapid-yet-satisfying, romantic comedy with charming male leads and happy endings. I have a whimsy deficiency that needs filling occasionally.

Too often these are bad lesbian movies and I was delighted to find one about Linus Roache as a cute British guy who who makes paint.

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#6198 Bob Loblaw

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Posted 11 August 2008 - 09:12 AM

I have two secret favorite subgenres,
one is obviously the military comedy.

The other is the 1990s (this one is 1999) quirky, high B-grade, vapid-yet-satisfying, romantic comedy with charming male leads and happy endings.
Too often these are bad lesbian movies and I was delighted to find one about Linus Roache as a cute British guy who who makes paint.

Posted Image



That quote on the bottom belongs in the Filthy Critic's "Hey Whore How's The Whoring?" sidebar.

The military comedy? How many can there be? Or should I say, how many good ones are there?

#6199 feisty

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Posted 11 August 2008 - 09:26 AM

I have two secret favorite subgenres,
one is obviously the military comedy.

The other is the 1990s (this one is 1999) quirky, high B-grade, vapid-yet-satisfying, romantic comedy with charming male leads and happy endings.
Too often these are bad lesbian movies and I was delighted to find one about Linus Roache as a cute British guy who who makes paint.

Posted Image



That quote on the bottom belongs in the Filthy Critic's "Hey Whore How's The Whoring?" sidebar.

The military comedy? How many can there be? Or should I say, how many good ones are there?




MASH, Stripes, Catch-22, Biloxi Blues, Good Morning Vietnam, Dr. Strangelove, Three Kings, Wag the Dog, Kelly's Heroes, The Mouse that Roared, I Was a Male War Bride, King of Hearts, Private Benjamin, Rally 'Round the Flag Boys, etc. There are so many of these.

Objectively they range from brilliant to okay but I mostly love all of them.


#6200 Bob Loblaw

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Posted 11 August 2008 - 09:30 AM

I have two secret favorite subgenres,
one is obviously the military comedy.

The other is the 1990s (this one is 1999) quirky, high B-grade, vapid-yet-satisfying, romantic comedy with charming male leads and happy endings.
Too often these are bad lesbian movies and I was delighted to find one about Linus Roache as a cute British guy who who makes paint.

Posted Image



That quote on the bottom belongs in the Filthy Critic's "Hey Whore How's The Whoring?" sidebar.

The military comedy? How many can there be? Or should I say, how many good ones are there?




MASH, Stripes, Catch-22, Biloxi Blues, Good Morning Vietnam, Dr. Strangelove, Three Kings, Wag the Dog, Kelly's Heroes, The Mouse that Roared, I Was a Male War Bride, King of Hearts, Private Benjamin, Rally 'Round the Flag Boys, etc. There are so many of these.

Objectively they range from brilliant to okay but I mostly love all of them.



ALL of them?

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