Edna and Bill were two residents of a nursing home who had been carrying on a love affair. They were both 96 years old and wheelchair bound.
Every night they would meet in the TV room. Edna would passively hold Bill's penis and they would watch TV for an hour or so. It wasn't much, but it was all they had. One night, Bill didn't turn up. He didn't show up for the next two nights either. Edna assumed he was dead, but then she saw him happily wheeling about the grounds.
She confronted him and said "Where have you been the past few nights ?"
He replied "If you must know, I was with another woman".
"You rat!" she cried. "What were you doing ?"
"We do the exact same thing that you and I do" he answered.
"Is she prettier or younger than I am ?" she asked.
"Nope. She looks the same and is 98 years old" Bill replied.
"Well then, what has she got that I haven't ?" Edna asked.
Bill smiled slyly and said "Parkinson's Disease".
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QUOTE(Burzum @ Jul 26 2006, 01:23 PM) [snapback]144074[/snapback]
Magnolia Electric Co. - Fading Trails
CODE
http://www.sendspace.com/file/po2c5l
QUOTE
Composed of recording sessions Molina and company did with Steve Albini at his Electric Audio Studio, David Lowery at his Sound of Music Studio, and at the famous Sun Studio in Memphis, Tennessee, Fading Trails also features songs from the home recorded Shohola sessions. The essence of these recordings were extracted to create one cohesive being and thus defining what Magnolia Electric Co. truly is. Something that is hard to define. One head, multiple bodies...the opposite of a hydra head.
This is really fucking good. Thanks man.
Robert Pollard "Normal Happiness"
This comes out Oct 10, so hopefully it leaks soon.
This comes out Oct 10, so hopefully it leaks soon.
QUOTE(Little Jess @ Jul 26 2006, 11:47 AM) [snapback]143818[/snapback]
QUOTE(sin city @ Jul 26 2006, 11:08 AM) [snapback]143716[/snapback]
QUOTE(Little Jess @ Jul 26 2006, 10:51 AM) [snapback]143669[/snapback]
Just acquired the new Richard Buckner. Lemme know if anyone's interested.
get to posting!
hxxp://www.yousendit.com/transfer.php?action=download&ufid=2927B5615B9981EA
QUOTE(CoolerbytheLake @ Jul 26 2006, 02:59 PM) [snapback]144325[/snapback]
QUOTE(Burzum @ Jul 26 2006, 01:23 PM) [snapback]144074[/snapback]
Magnolia Electric Co. - Fading Trails
CODE
http://www.sendspace.com/file/po2c5l
QUOTE
Composed of recording sessions Molina and company did with Steve Albini at his Electric Audio Studio, David Lowery at his Sound of Music Studio, and at the famous Sun Studio in Memphis, Tennessee, Fading Trails also features songs from the home recorded Shohola sessions. The essence of these recordings were extracted to create one cohesive being and thus defining what Magnolia Electric Co. truly is. Something that is hard to define. One head, multiple bodies...the opposite of a hydra head.
This is really fucking good. Thanks man.
Yeah, thanks!
I hoping to grab this if sendspace will cooperate with me.
QUOTE(killerparties @ Jul 26 2006, 02:23 AM) [snapback]143242[/snapback]
What are people most anticipating? I'm pretty psyched for Decemberists, Hold Steady, Joanna Newsom, Swan Lake, and the Shins to leak. What else is happening this fall?
All of those. What the hell are Swan Lake even going to sound like?
QUOTE(Kennan @ Jul 26 2006, 03:35 PM) [snapback]144440[/snapback]
QUOTE(killerparties @ Jul 26 2006, 02:23 AM) [snapback]143242[/snapback]
What are people most anticipating? I'm pretty psyched for Decemberists, Hold Steady, Joanna Newsom, Swan Lake, and the Shins to leak. What else is happening this fall?
All of those. What the hell are Swan Lake even going to sound like?
Yes, all of those. Oh my god it's going to be good.
And Swan Lake, i don't know what they'll sound like, and i don't think anyone should have any expectations, except maybe that the album will be orgasmic.
QUOTE(Gbro @ Jul 26 2006, 08:31 AM) [snapback]143308[/snapback]
I'm most looking forward to that new Hold Steady disc.
Have any songs off this leaked yet? I saw Pitchfork reviewed one.
QUOTE(Burzum @ Jul 26 2006, 12:23 PM) [snapback]144074[/snapback]
Magnolia Electric Co. - Fading Trails
CODE
http://www.sendspace.com/file/po2c5l
QUOTE
Composed of recording sessions Molina and company did with Steve Albini at his Electric Audio Studio, David Lowery at his Sound of Music Studio, and at the famous Sun Studio in Memphis, Tennessee, Fading Trails also features songs from the home recorded Shohola sessions. The essence of these recordings were extracted to create one cohesive being and thus defining what Magnolia Electric Co. truly is. Something that is hard to define. One head, multiple bodies...the opposite of a hydra head.
I'll be seeing Molina tonight -- thanks man!
the new Magnolia is fantastic, much better than What Comes After The Blues imo (live record is still the best)
the Molina solo is much much better than that craptapular Pyramid Electric Co. release, which it was being compared to, but i'm pretty sure i prefer the new MEC to it, more my style. i think it's the distant sounding vocals that sorta get on my nerves. sounds like the mic was in a completely different room at times. i'm all for reverb, but i dunno... it is really haunting & beautiful tho.
the Molina solo is much much better than that craptapular Pyramid Electric Co. release, which it was being compared to, but i'm pretty sure i prefer the new MEC to it, more my style. i think it's the distant sounding vocals that sorta get on my nerves. sounds like the mic was in a completely different room at times. i'm all for reverb, but i dunno... it is really haunting & beautiful tho.
QUOTE(Slackmo @ Jul 26 2006, 03:43 PM) [snapback]144266[/snapback]
QUOTE(۞şčåŕŷ @ Jul 26 2006, 02:38 PM) [snapback]144255[/snapback]
QUOTE(Slackmo @ Jul 26 2006, 03:36 PM) [snapback]144250[/snapback]
Is the new Rooney in the wind yet?
So that's what that shit smell is...
That was on autopilot. Try harder.
Meh, Rooney's not worth the effort.
Jason Molina - Let Me Go, Let Me Go, Let Me Go
CODE
http://www.sendspace.com/file/g5b5zn
QUOTE
I wanted badly to revisit the type of songs I did on my more experimental albums The Pyramid, The Ghost, and Protection Spells. I put this project together in the last days before I began what was a long and harrowing move back to Chicago. I wrote these songs as well as the half dozen or so that did not make it over the course of 3 mornings in Bloomington, Indiana and recorded them one after the other in the order they were written.
Working method was to go into the garage (aka The Projects Studio) in the mornings and I would write one song at a time and record it. There are no windows at all in that studio and it is pitch black around the clock. There was a small lamp rigged inside a vintage kickdrum and that eerie thing burning above my head along with sparse candles was the extent of the lighting...with the occasional silent movie projected on the wall. The place screamed doom as far as atmosphere goes and I put myself to the task of writing about what is human about that particular feeling; the concrete and tactile nature of depression and actually writing or working yourself out of that. The payoff is not always worth listening, let alone committing to a release, but in this session I knew I was not going to present these songs to the Magnolia Electric Co. in the first place. It gave me the ability to explore some lyrical themes that simply don't need to be sung in competition with a full band. There are many moments of lyrical improvisation, where I was more or less trying to keep as much of my mind focused on things I'd never put into words before and didn't know if I ever would get those moments again. So in a way, these are meditations on depression, waiting, dislocation, separation, doubt, fear, loneliness...the usual from me...but here, if I did not see redemption or even a glimmer of hope, and thought I could put that into lyrics and a simple melody, I allowed that to be the driving force of the song. In the past I would edit these themes out or push them to the sides in favor of a better line technically, or a more anticipated rhyme. This session, in my mind, leads easily into my upcoming projects.
All of this is an attempt to put a serious price on lyrics that are honest not witty, shy but not weak, weary if they are and sad without apology, depression without a fight and depression with a fight.
-Jason Molina
Working method was to go into the garage (aka The Projects Studio) in the mornings and I would write one song at a time and record it. There are no windows at all in that studio and it is pitch black around the clock. There was a small lamp rigged inside a vintage kickdrum and that eerie thing burning above my head along with sparse candles was the extent of the lighting...with the occasional silent movie projected on the wall. The place screamed doom as far as atmosphere goes and I put myself to the task of writing about what is human about that particular feeling; the concrete and tactile nature of depression and actually writing or working yourself out of that. The payoff is not always worth listening, let alone committing to a release, but in this session I knew I was not going to present these songs to the Magnolia Electric Co. in the first place. It gave me the ability to explore some lyrical themes that simply don't need to be sung in competition with a full band. There are many moments of lyrical improvisation, where I was more or less trying to keep as much of my mind focused on things I'd never put into words before and didn't know if I ever would get those moments again. So in a way, these are meditations on depression, waiting, dislocation, separation, doubt, fear, loneliness...the usual from me...but here, if I did not see redemption or even a glimmer of hope, and thought I could put that into lyrics and a simple melody, I allowed that to be the driving force of the song. In the past I would edit these themes out or push them to the sides in favor of a better line technically, or a more anticipated rhyme. This session, in my mind, leads easily into my upcoming projects.
All of this is an attempt to put a serious price on lyrics that are honest not witty, shy but not weak, weary if they are and sad without apology, depression without a fight and depression with a fight.
-Jason Molina
Burzum on the ball with the Molina today, greatly appreciated.
QUOTE(Burzum @ Jul 27 2006, 12:56 AM) [snapback]145184[/snapback]
Jason Molina - Let Me Go, Let Me Go, Let Me Go
CODE
http://www.sendspace.com/file/g5b5zn
QUOTE
I wanted badly to revisit the type of songs I did on my more experimental albums The Pyramid, The Ghost, and Protection Spells. I put this project together in the last days before I began what was a long and harrowing move back to Chicago. I wrote these songs as well as the half dozen or so that did not make it over the course of 3 mornings in Bloomington, Indiana and recorded them one after the other in the order they were written.
Working method was to go into the garage (aka The Projects Studio) in the mornings and I would write one song at a time and record it. There are no windows at all in that studio and it is pitch black around the clock. There was a small lamp rigged inside a vintage kickdrum and that eerie thing burning above my head along with sparse candles was the extent of the lighting...with the occasional silent movie projected on the wall. The place screamed doom as far as atmosphere goes and I put myself to the task of writing about what is human about that particular feeling; the concrete and tactile nature of depression and actually writing or working yourself out of that. The payoff is not always worth listening, let alone committing to a release, but in this session I knew I was not going to present these songs to the Magnolia Electric Co. in the first place. It gave me the ability to explore some lyrical themes that simply don't need to be sung in competition with a full band. There are many moments of lyrical improvisation, where I was more or less trying to keep as much of my mind focused on things I'd never put into words before and didn't know if I ever would get those moments again. So in a way, these are meditations on depression, waiting, dislocation, separation, doubt, fear, loneliness...the usual from me...but here, if I did not see redemption or even a glimmer of hope, and thought I could put that into lyrics and a simple melody, I allowed that to be the driving force of the song. In the past I would edit these themes out or push them to the sides in favor of a better line technically, or a more anticipated rhyme. This session, in my mind, leads easily into my upcoming projects.
All of this is an attempt to put a serious price on lyrics that are honest not witty, shy but not weak, weary if they are and sad without apology, depression without a fight and depression with a fight.
-Jason Molina
Working method was to go into the garage (aka The Projects Studio) in the mornings and I would write one song at a time and record it. There are no windows at all in that studio and it is pitch black around the clock. There was a small lamp rigged inside a vintage kickdrum and that eerie thing burning above my head along with sparse candles was the extent of the lighting...with the occasional silent movie projected on the wall. The place screamed doom as far as atmosphere goes and I put myself to the task of writing about what is human about that particular feeling; the concrete and tactile nature of depression and actually writing or working yourself out of that. The payoff is not always worth listening, let alone committing to a release, but in this session I knew I was not going to present these songs to the Magnolia Electric Co. in the first place. It gave me the ability to explore some lyrical themes that simply don't need to be sung in competition with a full band. There are many moments of lyrical improvisation, where I was more or less trying to keep as much of my mind focused on things I'd never put into words before and didn't know if I ever would get those moments again. So in a way, these are meditations on depression, waiting, dislocation, separation, doubt, fear, loneliness...the usual from me...but here, if I did not see redemption or even a glimmer of hope, and thought I could put that into lyrics and a simple melody, I allowed that to be the driving force of the song. In the past I would edit these themes out or push them to the sides in favor of a better line technically, or a more anticipated rhyme. This session, in my mind, leads easily into my upcoming projects.
All of this is an attempt to put a serious price on lyrics that are honest not witty, shy but not weak, weary if they are and sad without apology, depression without a fight and depression with a fight.
-Jason Molina
thanks again Burz
this community rocks... 
i'm good at hunting rare ep's and b-sides so i'll upload some as soon as i get some worth uploading.
cheers.
i'm uploading the matthew friedberger album as we speak.
i'm good at hunting rare ep's and b-sides so i'll upload some as soon as i get some worth uploading.
cheers.
i'm uploading the matthew friedberger album as we speak.
QUOTE(cronopio @ Jul 27 2006, 01:43 AM) [snapback]145215[/snapback]
this community rocks...
i'm good at hunting rare ep's and b-sides so i'll upload some as soon as i get some worth uploading.
cheers.
i'm uploading the matthew friedberger album as we speak.
uploading on your first post is always an awesome first impression. for that i say welcome. and also because your avatar is good.
Does anyone out there have the new Drams album?
thanks for the warm welcome, uncle .
i also ended uploading Subtle's Wishingbone:
http://www.youse ndit.co m/transfer.php?action=download&ufid=141D09C1041A8FB4
and here's Friedberger's Winter Women in case anybody wants it, i didn't like it personally :
http://www.you sendit.c om/transfer.php?action=download&ufid=0E7DBD77729372D3
i also ended uploading Subtle's Wishingbone:
http://www.youse ndit.co m/transfer.php?action=download&ufid=141D09C1041A8FB4
and here's Friedberger's Winter Women in case anybody wants it, i didn't like it personally :
http://www.you sendit.c om/transfer.php?action=download&ufid=0E7DBD77729372D3
QUOTE(Burzum @ Jul 26 2006, 12:23 PM) [snapback]144074[/snapback]
Magnolia Electric Co. - Fading Trails
Neil Young and David Byrne called - they want their songs back.
QUOTE(Montana @ Jul 27 2006, 03:58 AM) [snapback]145231[/snapback]
Neil Young and David Byrne called - they want their songs back.
Hey Montana, the Rolling Stone canon called - they want you to stop defending it.
Now that we've concluded that Scarymuppet Hath More Delicately Refined Tastes Than I (not much of a revelation there), anyone else hear anything about the forthcoming Rooney release?
why do people actually want the new Rooney album?
QUOTE(Jordan @ Jul 27 2006, 09:19 AM) [snapback]145418[/snapback]
why do people actually want the new Rooney album?
Yeah, honestly. Are there any real fans of this band, or just girls that swoon over the band members?
QUOTE(heinstein @ Jul 27 2006, 09:22 AM) [snapback]145426[/snapback]
QUOTE(Jordan @ Jul 27 2006, 09:19 AM) [snapback]145418[/snapback]
why do people actually want the new Rooney album?
Yeah, honestly. Are there any real fans of this band, or just girls that swoon over the band members?
The fact that they are on the road opening for Kelly Clarkson answers that question.
I liked a couple on that first one though. I'm a hook sucker. Guilty.
I like that Rooney album too, good summer record. I had no idea they had any relation to teenybopper-dom until I saw they were opening for KC.
all this new molina stuff is making me strongly considering going around town with my computer in my car and waiting till if find a wireless connection to borrow for the duration of the downloads. how is the molina solo disc? seriously awesome i hope.
or more realistically, how long do sendspace links stay active? are they active as long as they are being used? i know that's how rapidshare works, itd be awesome if these links stayed on until i got back to school in a month.
or more realistically, how long do sendspace links stay active? are they active as long as they are being used? i know that's how rapidshare works, itd be awesome if these links stayed on until i got back to school in a month.
QUOTE(Montana @ Jul 27 2006, 03:58 AM) [snapback]145231[/snapback]
Neil Young and David Byrne called - they want their songs back.
Neil Young, sure, he's always had a bit of Neil thing, but Byrne???????
regardless, Molina is the real deal
QUOTE(solace @ Jul 27 2006, 09:31 AM) [snapback]145582[/snapback]
QUOTE(Montana @ Jul 27 2006, 03:58 AM) [snapback]145231[/snapback]
Neil Young and David Byrne called - they want their songs back.
Neil Young, sure, he's always had a bit of Neil thing, but Byrne???????
Byrne?!?!
Yeah that Byrne comparison is baffling. Damn, the title track from Let Me Go... is so goddamn beautiful.
QUOTE(Burzum @ Jul 27 2006, 11:05 AM) [snapback]145663[/snapback]
Yeah that Byrne comparison is baffling. Damn, the title track from Let Me Go... is so goddamn beautiful.
yeah, i honestly was a bit unsure after the comparisons to this album, which i found depressing and a pain to listen to:
but it's aching/hauntingly beautiful
Oh, I love Pyramid Electric Co. It is very depressing, but then so is pretty much all of Molina's stuff. I honestly just can't get enough of this guy. There's something about his lyrics and that voice that just really gets to me.
shakin' is the best fucking song ever
QUOTE(Jordan @ Jul 27 2006, 03:19 PM) [snapback]145418[/snapback]
why do people actually want the new Rooney album?
Maybe people like Rooney.
I don't, but that doesn't stop other people being able to.
QUOTE(throughsilver @ Jul 27 2006, 01:23 PM) [snapback]145857[/snapback]
QUOTE(Jordan @ Jul 27 2006, 03:19 PM) [snapback]145418[/snapback]
why do people actually want the new Rooney album?
Maybe people like Rooney.
I don't, but that doesn't stop other people being able to.
but if we all pitch in and do our part, maybe we can stop other people.
QUOTE(solace @ Jul 27 2006, 10:31 AM) [snapback]145582[/snapback]
regardless, Molina is the real deal
you ain't kiddin...
QUOTE(cronopio @ Jul 27 2006, 01:31 PM) [snapback]145881[/snapback]
QUOTE(solace @ Jul 27 2006, 10:31 AM) [snapback]145582[/snapback]
regardless, Molina is the real deal
you ain't kiddin...
"Ohh, Spike Jonze..."
QUOTE(DrJimmy @ Jul 27 2006, 01:25 PM) [snapback]145862[/snapback]
QUOTE(throughsilver @ Jul 27 2006, 01:23 PM) [snapback]145857[/snapback]
QUOTE(Jordan @ Jul 27 2006, 03:19 PM) [snapback]145418[/snapback]
why do people actually want the new Rooney album?
Maybe people like Rooney.
I don't, but that doesn't stop other people being able to.
but if we all pitch in and do our part, maybe we can stop other people.
i'm for it!
QUOTE(Jordan @ Jul 25 2006, 04:41 PM) [snapback]142841[/snapback]
I can up the new Excepter..just cause I think other people should hear it..not cause I want to help cunt
QUOTE(killerparties @ Jul 26 2006, 02:23 AM) [snapback]143242[/snapback]
What are people most anticipating?
has The Blood Brothers Young Machetes and Akron/Family Meek Warrior leaked?
if so then i missed out, damn!
I didn't even know a new Akron/Family was coming
and no to the Blood Brothers
Excepter is upping right now
and no to the Blood Brothers
Excepter is upping right now
Here's a bigger version of the new Magnolia Electric Co album cover:
Drams? Anyone? No?
Anyone else having trouble with that Buckner download? I get the y s i page just fine but when i click on the link it doesn't work.
QUOTE(= marios = @ Jul 27 2006, 04:59 PM) [snapback]146525[/snapback]
Here's a bigger version of the new Magnolia Electric Co album cover:
She looks like a cross between Neil Young and David Byrne.
The Indier-Than-Thou stench is getting a little thick in here.
wait wait wait
the new rooney leaked?
i want it....
the new rooney leaked?
i want it....
Hey, Burzum. Thanks for the Molina records. Yep.
What's this i hear about a new Akron/Family?
QUOTE(= marios = @ Jul 27 2006, 04:59 PM) [snapback]146525[/snapback]
Here's a bigger version of the new Magnolia Electric Co album cover:
why hello there... i guess that settles that... VINYL it is!
QUOTE(Saskadelphia @ Jul 27 2006, 02:12 AM) [snapback]145220[/snapback]
Does anyone out there have the new Drams album?
http://tinyurl.com/lgwe2
k
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