And stuff
#217.

Interpol - "Obstacle 1"Year: 2002
US Chart Position: n/a
UK Chart Position: #72 / #41 in '03
Acclaimed Music Ranking: #31 (year), #152 (decade), #1862 (all-time)
AMG Says: "Interpol has been saddled with the daunting designation as the band most likely to revive the gothic days of the early ‘80’s, with frequent references to many English acts of the period, such as Chameleons U.K., The Cure, Echo and The Bunnymen and Joy Division. While some of these references may be more valid than others, it is certainly due in part to Interpol’s lead singers strikingly similar vocal delivery to that of the legendary and tragic figure of Ian Curtis of the brooding Joy Division that is most responsible. Perhaps more than on any other track from Interpol’s impressive debut, Turn on The Bright Lights, ”Obstacle 1” demonstrates this uncanny likeness. As the music twists and turns, Banks bellows with a deep passion that remains somehow emotionally distant, as if howling against the inevitable pain of isolation that so permeated the music of Joy Division as he rails, “We can find new ways of living / Make playing only logical harm / We can top the old times / Clay-making that nothing else will change / She can read, she can read, she can read / She’s bad, oh she’s bad” Musically, the song assimilates a variety of styles in a tight forceful arrangement, moving from bits of Sonic Youth into a halting, Gang of Four- like funk into a driving, nervous energy groove that has a whiff of the Pixies where Banks rants with dark determination, “It’s different now that I’m poor and aging / I’ll never see this face again / You go stabbing yourself in the neck”. Perhaps the biggest Joy Division moment comes in the second half, where the band descend into a drum heavy break, bassist Carlos Dengler digging into the low groove while Banks leans into the vocals with the same mannered intensity of Ian Curtis, releasing a breathless torrent, “It’s in the way that she posed / It’s in the things that she put in my hair / Her stories are boring and stuff / She’s always calling my bluff / She put the weights into my little heart / And she gets in my room and she takes it apart / I said she puts the weights into my little heart.” From here the song softens somewhat, falling into a straight, driving vamp, where chiming guitars play off of light falsetto backing vocals before ending abruptly."
Ranked Highest By: Plate (#7)
Can Be Most Easily Found On:
Turn on the Bright Lights