QUOTE(NumberTenOx @ Oct 16 2006, 07:37 PM) [snapback]220493[/snapback]
This is all fucking gold.
thank you. i couldn't agree with you more. and now, for Volume One's liner notes. if these liner notes get to be too annoying, feel free to tell me and i'll only put down the track listings:
JOHN COLTRANE ~ THE ATLANTIC RECORDS ERA
(1959-1961)
1) The Night Has A Thousand Eyes (6:42) (SOUND)
2) Blues To You (6:25) (BLUES)
3) Summertime (11:31) (MY FAVORITE THINGS)
4) Mr. Day (7:56) (BLUES)
5) Like Sonny (5:51) (JAZZ)
6) Cherryco (6:45) (AVANT-GARDE)
7) Equinox (8:33) (SOUND)
8) Mr. P.C. (6:57) (GIANT STEPS)
9) Dahomey Dance (10:48) (OLE)
In my opinion, John Coltrane’s Atlantic Records period (1959-1961) is the single best place to start listening to jazz. It’s where mastery meets experimentalism and accessibility. In Beatles terms, it’s his Rubber Soul and Revolver phase. It’s not that an 18 minute version of “Traneing In” on an earlier Prestige recording is akin to “I Want To Hold Your Hand” or anything. It’s just that it was here that it all came together.
I suppose you could say “it was HERE that it all came together” at a number of different points in Coltrane’s career: with Miles in 1956, Monk in 1957, with Miles again in 1959, during the Live At The Village Vanguard sessions in 1961, with A Love Supreme in December 1964, at any random point in 1965…but I choose this particular point.
If you don’t know already, Giant Steps is one of THOSE landmark albums that you just have to have. Most of it was recorded in April, 1959. Coltrane wasn’t entirely satisfied with it until he recorded a version of “Naima” in late 1959, and the album was released in 1960. To my still not-entirely-disseminating (discriminating?) ears, many of the songs on the record sound the same to me. I can always tell if a song is from Giant Steps, but I’m not always sure if the song is the title track, “Mr. P.C.,” “Cousin Mary” or “Spiral.” I’m sure if you were to give it time, you’d be able to tell.
The album is one of the first 7 records I bought after watching exactly one half-hour video of Coltrane’s that changed my life forever. I picked up this album, Blue Train, My Favorite Things, Live At The Village Vanguard (when it was a single 3-track disc), Live At Birdland, A Love Supreme, and, I think, Miles And Coltrane (which was recorded in 1958 at some time, not to be confused with Miles ’58, which I don’t like that much at all, oddly enough). Like Kind of Blue, which was recorded at approximately the same time (!), it’s the best place to jump into jazz. It may not end up being your favorite Coltrane or jazz album ~ or, it might ~ but it’s the kind of album that will give you hours of listening enjoyment.
I chose “Mr. P.C.” for two reasons: 1) it rocks the house, and 2) it’s one of the songs Coltrane would return to for the next few years during his live shows. There is an excellent 26 minute version of this song on The Paris Concert from 1962 with his Classic Quartet. This particular track has Tommy Flanagan on piano, Paul Chambers on bass and Art Taylor on drums. The 26 minute track features incredible solos from each member of the Classic Quartet: McCoy Tyner on piano, Jimmy Garrison on bass and Elvin Jones on drums. I duly recommend The Paris Concert to anybody, really, but you might want to hold off for a while (unless you’re an ambitious soul). The versions of “The Inch Worm” and “Every Time We Say Goodbye” on that record are two of the best versions of those songs I’ve heard.
“Like Sonny” is from the album Coltrane Jazz. It refers to Sonny Rollins, of course, but I’m not entirely sure why as I haven’t listened to enough Sonny Rollins to fully know. Rollins has a number of great records, but I’ll talk about him at a later time. Coltrane Jazz is one of those albums that tend to slip between the cracks. In Beatles terms, it’s kind of like Beatles For Sale. Sure, it’s not Rubber Soul or Revolver, but DAMN there are some fine tunes on here. An alternate version of “Like Sonny” was recorded during the Giant Steps sessions. One track, “Village Blues,” was recorded during the My Favorite Things/Sound/Blues sessions of October, 1960. Most of the rest of the tunes were recorded a bit later in November and December 1959. This particular track (and most of the album) has Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums (basically, Miles Davis’ rhythm section at the time ~ Coltrane was still playing with them).
If “Cherryco,” from the The Avant-Garde album, sounds a hell of a lot like an Ornette Coleman song, that’s because it essentially is. The album was recorded in June and July of 1960 with Coleman’s band at the time: Don Cherry on pocket trumpet, Charlie Haden on bass and Ed Blackwell on drums. A few of the other songs on the record had Percy Heath playing bass. Coltrane sought personal lessons from Ornette Coleman in 1959 and 1960 when Ornette first arrived in New York and had many discussions with him. He watched Ornette’s band all the time from the side of the stage, apparently. If you like this song and are a bit curious about Ornette Coleman’s music, I would suggest the mix I’ll make of Ornette Coleman’s in the future. There’s really nothing to be afraid of when it comes to Ornette’s “crazy-ass” music ~ the title of his box set, “Beauty Is A Rare Thing,” describes Ornette’s music of 1959-1961 to a T.
Some of the greatest music of all time was recorded in October 1960 by ¾ of the Classic Quartet. Elvin Jones was on board playing drums. McCoy Tyner was in place playing piano. Both would last until 1965/6, when a couple of other members had joined the band. I’ll get to that in the John Coltrane 1965 discussion. Here, they were joined by Steve Davis on bass. In all that I’ve read, there hasn’t been much fuss made over Davis’ bass playing, but it sounds fine to me. From October 21st to October 26th, these four individuals recorded enough material for 3 albums: My Favorite Things, Coltrane’s Sound and Coltrane Plays The Blues. I believe all of Coltrane Plays The Blues was recorded on October 24, as well as 3 songs on Sound and “Summertime,” heard here. Most everything else was recorded on the 26th. Apparently, only the title track from My Favorite Things was recorded on the 21st. TAKE THAT!…pretty much EVERYBODY in the music world. How the hell can three albums of such magnitude all be recorded in pretty much a couple of days? Crazy, crazy, crazy.
The My Favorite Things album reminds me of Dylan’s Blood On The Tracks. It probably has a LOT to do with the fact that I started listening to both albums at around the same time, but each album is really laid back and best heard in the Spring or Summer. The original version of the title track is one of the most pleasant pieces of music ever recorded in my opinion. And it might not even be the best version! He would play the song live at least until 1966, when, in Japan, he played a version of it for approximately an hour! I don’t particularly enjoy the Live In Japan record and wouldn’t recommend it to anyone unless his material in 1965 just isn’t enough for you. There is a veritable crap load of great live versions of this song to hear from 1961 to 1963. The song I chose to represent this album is “Summertime.” I believe McCoy Tyner and Elvin Jones, in particular, make this song memorable.
Coltrane’s Sound just might be my favorite record from Coltrane’s Atlantic period. “The Night Has A Thousand Eyes” is one of my favorite all-time tracks and its position as the leadoff track is purposeful. I believe it captures Coltrane’s sound (pardon the pun) ~ for this particular moment in time. It wouldn’t last, of course, but the song sounds perfect to me. “Equinox” kind of reminds me of the song Paul Thomas Anderson uses in his films ~ I can’t remember the name of the song, but it was originally used in “Hard Eight” and is used memorably in “Boogie Nights” when things got bad in the early 80’s (I think it was when they picked up that one guy in the limo for Roller Girl to have sex with…and when Dirk had that chance meeting with a guy who wanted to…well, you know.
Coltrane Plays The Blues is an excellent album. Not entirely sure what to say about it. Along with Coltrane’s Sound, it was released years after Coltrane left Atlantic Records for Impulse! Records (Sound says it was released in 1964, while Blues was released in 1966).
Ole is one of the more intriguing albums of Coltrane’s entire catalogue. Recorded in the middle of 1961, he expanded his band in order to expand his sound. Eric Dolphy adds his flute and alto sax. Freddie Hubbard joins in on trumpet. Art Davis lends his bass. Reggie Workman is now the new bassist in Coltrane’s quartet, and he would last through the Live At The Village Vanguard sessions (as well as some other live shows) in November 1961. Jimmy Garrison would soon take over the bass and last until the end of Coltrane’s life in 1967.
The title track ~ all 18 minutes of it ~ is a swirling dervish of a song, but it sounds like one of the solos was edited out of it at some point. The track I used for this particular mix, “Dahomey Dance,” is probably my favorite on the album. I think it features…well, pretty much everybody who is on it. Like the My Favorite Things album, it’s a very laid back record. At one time, it was probably my favorite Coltrane record of all. Then I bought another one, and that, too, became my favorite Coltrane album of all time. Strange how that happens…
There is a box set, I think, of all these recordings called “The Heavyweight Champion,” but I would probably steer away from that for now. So, if you like this mix, here are my recommendations:
ABSOLUTELY ESSENTIAL ALBUMS YOU SHOULD PROBABLY HAVE
~ Giant Steps
~ My Favorite Things
ALBUMS YOU SHOULD PROBABLY GET AT SOME POINT IN THE (near?) FUTURE
~ Coltrane’s Sound
~ Coltrane Plays The Blues
~ Ole
ALBUMS YOU SHOULD PROBABLY GET, EVENTUALLY, IF YOU’RE A COMPLETIST
~ Coltrane Jazz
OTHER ALBUMS FROM THIS PERIOD I DIDN’T MENTION…NOR AM I ENTIRELY SURE ARE WORTH GETTING BECAUSE AT ONE POINT I HAD THEM AND RID MYSELF OF THEM
~ Bags And Trane (with Milt Jackson on vibes)
~ Like Sonny (not sure if it was an Atlantic Records album, but I’m pretty sure it was from the same period)