Not the biggest fan of this list. Hopefully you guys will be.
By far the most exclusive of our decade lists--albums squeaked on to previous ones with only two high votes, think here you needed at least five or six. So don't get too disappointed or anything.
Full Version: SOMB Top 250 Albums of '95 - '04
Pages: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32
I'm kind of dreading this list in places.
How many votes did this get, 70 odd?
How many votes did this get, 70 odd?
OK Computer yada yada etc.
All the Destroyer albums probably made the top 10.
QUOTE(Nick @ Oct 27 2006, 05:41 PM) [snapback]229819[/snapback]
All the Destroyer albums probably made the top 10.
Don't forget Blur.
QUOTE(elastico @ Oct 27 2006, 11:37 PM) [snapback]229817[/snapback]
OK Computer yada yada etc.
I really doubt that OK Computer winning the whole thing will be the thing that upsets the most boarders. Plenty of well loved albums from this period are loathed by other members of the board. Wasn't much chance of someone going "OMG Leige and Lief is completely shit". I'd expect a few Arcade Fire comments along the way.
yeah these are definitely going to be some canon-rattling good times
I invested 45 minutes of my time compiling my list so I have a lot of interest in how this turns out.
What's that thing Bill says? "No vote, don't post in the thread."
Yeah, that's good.
Yeah, that's good.
Bill shouldn't say anything and just make our fucking lists. LOL
QUOTE(The Good Dr Bill @ Oct 27 2006, 06:27 PM) [snapback]229809[/snapback]
Not the biggest fan of this list.
because your voting system is broken.
Before year end we should have a poll that decides which boarders get the most points to assign to their top xx albums list. Only fair.
QUOTE(MitchellStirling @ Oct 27 2006, 06:55 PM) [snapback]229832[/snapback]
Before year end we should have a poll that decides which boarders get the most points to assign to their top xx albums list. Only fair.
seriously, how long to have to keep up this charade that every boarder's opinion matters equally?
When does year-end voting begin? I won't be participating in the albums list, but I'm excited for the singles list...
QUOTE(MitchellStirling @ Oct 27 2006, 11:28 PM) [snapback]229810[/snapback]
I'm kind of dreading this list in places.
Same.
We gon be down wit the L.B.
QUOTE(Montana @ Oct 27 2006, 05:42 PM) [snapback]229821[/snapback]
Don't forget Blur.
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QUOTE(Fidel Castro @ Oct 27 2006, 06:49 PM) [snapback]229829[/snapback]
QUOTE(The Good Dr Bill @ Oct 27 2006, 06:27 PM) [snapback]229809[/snapback]
Not the biggest fan of this list.
because your voting system is broken.
seriously, how long to have to keep up this charade that you're actually going to change the voting system/that there's anything wrong with it?
QUOTE(chadwick @ Oct 27 2006, 06:23 PM) [snapback]229851[/snapback]
QUOTE(Montana @ Oct 27 2006, 05:42 PM) [snapback]229821[/snapback]
Don't forget Blur.
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All I want is for N.E.R.D. to place, a top 100 ranking for When The Pawn..., and for the Chemical Brothers' Surrender to do really well. I believe in miracles.
For whatever it's worth to anyone
1. Outkast - Aquimeni
2. Aphex Twin - Druqs
3. The Knife - Deep Cuts
4. Outkast - Stankonia
5. Liars - They Threw Us All In a Trench and Stuck a Monument On Top
6. 2 Many DJs - As Heard On Radio Soulwax
7. Radiohead - Kid A
8. Nas - It Was Written
9. Jay-Z - The Blueprint
10. Erase Errata - Other Animals
1. Outkast - Aquimeni
2. Aphex Twin - Druqs
3. The Knife - Deep Cuts
4. Outkast - Stankonia
5. Liars - They Threw Us All In a Trench and Stuck a Monument On Top
6. 2 Many DJs - As Heard On Radio Soulwax
7. Radiohead - Kid A
8. Nas - It Was Written
9. Jay-Z - The Blueprint
10. Erase Errata - Other Animals
cool list, wish you were around a month ago
Geez...you guys are sure making us all look forward to this.
As long as she has a respectable showing I'll be happy.
As long as she has a respectable showing I'll be happy.
#250.
The Secret Machines - Now Here is Nowhere
Year: 2004
US Chart Position: #33 Heatseeker
UK Chart Position: #49
Charting Singles: n/a
Acclaimed Music Ranking: #52 (year), #293 (decade), #2339 (all-time)
AMG Says: "The Secret Machines aren't breaking any new ground on their debut full-length album, Now Here Is Nowhere; instead, they mix up elements of the last 35 years of rock history like the driving rhythms of '70s German rock, the sprawling guitar textures of late-'60s and '70s British psych, pounding drums lifted off of Led Zeppelin II, the expansive textures of arena-friendly '80s groups like U2 and Echo & the Bunnymen, and the aching indie rock vocals of the '90s -- basically the same template as the Flaming Lips circa 1993, early Mercury Rev, the Verve, or mid-period Ride [...] the Secret Machines have proven themselves as worthy heirs to the indie rock tradition that the Lips and the Rev established so well. Now Here Is Nowhere isn't on par with either of those band's best work, but it is a promising beginning and -- more importantly -- an intriguing and exciting listen."
Ranked Highest By: Rocks and Blows (#14)
Now Here is Nowhere
The Secret Machines - Now Here is Nowhere
Year: 2004
US Chart Position: #33 Heatseeker
UK Chart Position: #49
Charting Singles: n/a
Acclaimed Music Ranking: #52 (year), #293 (decade), #2339 (all-time)
AMG Says: "The Secret Machines aren't breaking any new ground on their debut full-length album, Now Here Is Nowhere; instead, they mix up elements of the last 35 years of rock history like the driving rhythms of '70s German rock, the sprawling guitar textures of late-'60s and '70s British psych, pounding drums lifted off of Led Zeppelin II, the expansive textures of arena-friendly '80s groups like U2 and Echo & the Bunnymen, and the aching indie rock vocals of the '90s -- basically the same template as the Flaming Lips circa 1993, early Mercury Rev, the Verve, or mid-period Ride [...] the Secret Machines have proven themselves as worthy heirs to the indie rock tradition that the Lips and the Rev established so well. Now Here Is Nowhere isn't on par with either of those band's best work, but it is a promising beginning and -- more importantly -- an intriguing and exciting listen."
Ranked Highest By: Rocks and Blows (#14)
Now Here is Nowhere
off to a shitty start...
QUOTE(Rob Gordon @ Oct 27 2006, 07:40 PM) [snapback]229893[/snapback]
Geez...you guys are sure making us all look forward to this.
As long as she has a respectable showing I'll be happy.
mom?
QUOTE(The Good Dr Bill @ Oct 27 2006, 07:46 PM) [snapback]229896[/snapback]
The White Album?
Far more jazzed for this over the singles list. Much bigger fan of albums over radio tracks, especially in this era where radio has been as bad as its ever been.
VING, VING, VING!!!
#249.
Eminem - The Marshall Mathers LP
Year: 2000
US Chart Position: #1
UK Chart Position: #1 / #29 in '03
Charting Singles: "The Real Slim Shady" (#4 US, #1 UK), "Stan" (#51 / #36 R&B US, #1 UK), "The Way I Am" (#58 / #26 R&B US, #8 UK), "Ballad" (#71 R&B US)
Acclaimed Music Ranking: #2 (year), #9 (decade), #138 (all-time)
Rank on Our All-Time Albums List: #482
AMG Says: "Eminem is all about blurring the distinction between reality and fiction, humor and horror, satire and documentary, so it makes perfect sense that The Marshall Mathers LP is no more or no less "real" than The Slim Shady LP. It is, however, a fairly brilliant expansion of his debut, turning his spare, menacing hip-hop into a hyper-surreal, wittily disturbing thrill ride. The Marshal Mathers LP is both funnier and darker than his debut, with jabs at pop star peers ("The Real Slim Shady") sitting virtually side-by-side with violent fantasies of retribution ("Kim," written about the mother of his child -- who he reconciled with and married after recording this track). Eminem's writing is so sharp and clever that the jokes cut as deeply as the explorations of his ruptured psyches. Thankfully, the production is nearly as evocative as the raps, matching the tone of the lyrics with liquid basslines, stuttering rhythms, slight sound effects, and spacious soundscapes. There may not be overpowering hooks on every track -- just enough to ensure radio play -- but the album works as a whole, always drawing a listener into the paranoid, violent, and very funny world of Eminem. But, once you're in, Eminem makes no compromises. He doesn't care if you understand exactly where he's at, and he doesn't offer any apologies if you can't sort the fact from the fiction -- that's your job as a listener. As an artist, he's supposed to create his own world, and with this terrific second effort, he certainly has. It may be a world that is as intriguing as it is infuriating, but it is without question his own, which is far more than most of his peers -- in both hip-hop and rock -- are able to accomplish at the dawn of a new millennium."
Ranked Highest By: Northern Voice (#24)
Amazon Link
#249.
Eminem - The Marshall Mathers LP
Year: 2000
US Chart Position: #1
UK Chart Position: #1 / #29 in '03
Charting Singles: "The Real Slim Shady" (#4 US, #1 UK), "Stan" (#51 / #36 R&B US, #1 UK), "The Way I Am" (#58 / #26 R&B US, #8 UK), "Ballad" (#71 R&B US)
Acclaimed Music Ranking: #2 (year), #9 (decade), #138 (all-time)
Rank on Our All-Time Albums List: #482
AMG Says: "Eminem is all about blurring the distinction between reality and fiction, humor and horror, satire and documentary, so it makes perfect sense that The Marshall Mathers LP is no more or no less "real" than The Slim Shady LP. It is, however, a fairly brilliant expansion of his debut, turning his spare, menacing hip-hop into a hyper-surreal, wittily disturbing thrill ride. The Marshal Mathers LP is both funnier and darker than his debut, with jabs at pop star peers ("The Real Slim Shady") sitting virtually side-by-side with violent fantasies of retribution ("Kim," written about the mother of his child -- who he reconciled with and married after recording this track). Eminem's writing is so sharp and clever that the jokes cut as deeply as the explorations of his ruptured psyches. Thankfully, the production is nearly as evocative as the raps, matching the tone of the lyrics with liquid basslines, stuttering rhythms, slight sound effects, and spacious soundscapes. There may not be overpowering hooks on every track -- just enough to ensure radio play -- but the album works as a whole, always drawing a listener into the paranoid, violent, and very funny world of Eminem. But, once you're in, Eminem makes no compromises. He doesn't care if you understand exactly where he's at, and he doesn't offer any apologies if you can't sort the fact from the fiction -- that's your job as a listener. As an artist, he's supposed to create his own world, and with this terrific second effort, he certainly has. It may be a world that is as intriguing as it is infuriating, but it is without question his own, which is far more than most of his peers -- in both hip-hop and rock -- are able to accomplish at the dawn of a new millennium."
Ranked Highest By: Northern Voice (#24)
Amazon Link
Secret Machines are fantastic. Happy to see them make the list.
I'm much more excited for this than the singles poll as well. Can't wait to see what all makes it.
I'm much more excited for this than the singles poll as well. Can't wait to see what all makes it.
Dance you fuckers
#248.
Radiohead - Hail to the Thief
Year: 2003
US Chart Position: #3
UK Chart Position: #1
Charting Singles: "There There" (#14 Modern Rock US, #4 UK), "Go to Sleep" (#32 Modern Rock US, #12 UK), "2 + 2 = 5" (#15 UK)
Acclaimed Music Ranking: #4 (year), #30 (decade), #363 (all-time)
Rank on Our All-Time Albums List: #212
AMG Says: "Radiohead's admittedly assumed dilemma: how to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest running time to date, enough space is provided to quench the thirsts of resolute Bends devotees without losing the adventurous drive or experimentation that eventually got the group into hot water with many of those same listeners. Guitars churn and chime and sound like guitars more often than not; drums are more likely to be played by a human; and discernible verses are more frequently trailed by discernible choruses. So, whether or not the group is to be considered "back," there is a certain return to relatively traditional songcraft. Had the opening "2 + 2 = 5" and "Sit Down. Stand Up." been made two years before, each song's slowly swelling intensity would have plateaued a couple minutes in, functioning as mood pieces without any release; instead, each boils over into its own cathartic tantrum. The spook-filled "Sail to the Moon," one of several songs featuring prominent piano, rivals "Street Spirit" and hovers compellingly without much sense of force carrying it along. Somewhat ironically, minus a handful of the more conventionally structured songs, the album would be almost as fractured, remote, and challenging as Amnesiac. "Backdrifts" and "The Gloaming" feature nervous electronic backdrops, while the emaciated "We Suck Young Blood" is a laggard processional that, save for one outburst, shuffles along uneasily. At nearly an hour in length, this album doesn't unleash the terse blow delivered by its two predecessors. However, despite the fact that it seems more like a bunch of songs on a disc rather than a singular body, its impact is substantial. Regardless of all the debates surrounding the group, Radiohead have entered a second decade of record-making with a surplus of momentum."
Ranked Highest By: Turdferguson (#7)
Can Be Most Easily Found On: Hail to the Thief
#248.
Radiohead - Hail to the Thief
Year: 2003
US Chart Position: #3
UK Chart Position: #1
Charting Singles: "There There" (#14 Modern Rock US, #4 UK), "Go to Sleep" (#32 Modern Rock US, #12 UK), "2 + 2 = 5" (#15 UK)
Acclaimed Music Ranking: #4 (year), #30 (decade), #363 (all-time)
Rank on Our All-Time Albums List: #212
AMG Says: "Radiohead's admittedly assumed dilemma: how to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest running time to date, enough space is provided to quench the thirsts of resolute Bends devotees without losing the adventurous drive or experimentation that eventually got the group into hot water with many of those same listeners. Guitars churn and chime and sound like guitars more often than not; drums are more likely to be played by a human; and discernible verses are more frequently trailed by discernible choruses. So, whether or not the group is to be considered "back," there is a certain return to relatively traditional songcraft. Had the opening "2 + 2 = 5" and "Sit Down. Stand Up." been made two years before, each song's slowly swelling intensity would have plateaued a couple minutes in, functioning as mood pieces without any release; instead, each boils over into its own cathartic tantrum. The spook-filled "Sail to the Moon," one of several songs featuring prominent piano, rivals "Street Spirit" and hovers compellingly without much sense of force carrying it along. Somewhat ironically, minus a handful of the more conventionally structured songs, the album would be almost as fractured, remote, and challenging as Amnesiac. "Backdrifts" and "The Gloaming" feature nervous electronic backdrops, while the emaciated "We Suck Young Blood" is a laggard processional that, save for one outburst, shuffles along uneasily. At nearly an hour in length, this album doesn't unleash the terse blow delivered by its two predecessors. However, despite the fact that it seems more like a bunch of songs on a disc rather than a singular body, its impact is substantial. Regardless of all the debates surrounding the group, Radiohead have entered a second decade of record-making with a surplus of momentum."
Ranked Highest By: Turdferguson (#7)
Can Be Most Easily Found On: Hail to the Thief
QUOTE(TheNameOfThisPosterIsDave @ Oct 27 2006, 09:30 PM) [snapback]229916[/snapback]
Secret Machines are fantastic. Happy to see them make the list.
Yep..fabulous drummer and they rawk in a great psychadelic, prog way that's been missing for too long.
hail to the thief is too high. 
QUOTE(falling and laughing @ Oct 27 2006, 08:17 PM) [snapback]229929[/snapback]
hail to the thief is too high.
Beat me to it.
QUOTE(Saskadelphia @ Oct 27 2006, 10:35 PM) [snapback]229932[/snapback]
QUOTE(falling and laughing @ Oct 27 2006, 08:17 PM) [snapback]229929[/snapback]
hail to the thief is too high.
Beat me to it.
HAHAHAHAHA
Boy, the Radiohead-bashing isn't the least fucking bit old!!!!
QUOTE(falling and laughing @ Oct 27 2006, 09:17 PM) [snapback]229929[/snapback]
hail to the thief is too high.
And apparently so were most of the reviewers when they first heard it. It had a big hype period early, and then it faded very quickly. Still, Sail to the Moon is a top shelf tune and one of my favorite songs of theirs. The rest is just hokey.
It's great to see a Radiohead pop up so low.
I listened to that Secret Machines a couple times when it came out. I remember loving the bass work, but I haven't heard it in a while.
I listened to that Secret Machines a couple times when it came out. I remember loving the bass work, but I haven't heard it in a while.
yeah, not such a strong showing for the SOMB's #1 album of 2003.
I wish my friends were 21
#247.
Blink-182 - Enema of the State
Year: 1999
US Chart Position: #9
UK Chart Position: #15
Charting Singles: "All the Small Things" (#6 / #1 Modern Rock US, #2 UK), "What's My Age Again?" (#58 / #2 Modern Rock US, #38 / #17 in '00 UK), "Adam's Song" (#2 Modern Rock US)
Acclaimed Music Ranking: #50 (year), #531 (decade), #2762 (all-time)
Ranked Highest By: Paul (#16)
Enema of the State
#247.
Blink-182 - Enema of the State
Year: 1999
US Chart Position: #9
UK Chart Position: #15
Charting Singles: "All the Small Things" (#6 / #1 Modern Rock US, #2 UK), "What's My Age Again?" (#58 / #2 Modern Rock US, #38 / #17 in '00 UK), "Adam's Song" (#2 Modern Rock US)
Acclaimed Music Ranking: #50 (year), #531 (decade), #2762 (all-time)
Ranked Highest By: Paul (#16)
Enema of the State
#247 seems about right for that.
QUOTE(theremin @ Oct 27 2006, 08:14 PM) [snapback]229946[/snapback]
I listened to that Secret Machines a couple times when it came out. I remember loving the bass work, but I haven't heard it in a while.
The guy has a shitty voice in general, but that album is great for freeway driving.
QUOTE(Cool Blue and Li'l Oaty @ Oct 28 2006, 03:03 AM) [snapback]230018[/snapback]
#247 seems about right for that.
should be at least 100 higher, but since the real Blink critical revision is at least a half-decade away and possibly even longer, I'll take it for now.
blink>radiohead>eminem
that's just all kinds of wrong
that's just all kinds of wrong
Top 25 of 2003 is a lot more accurate then #1 for of the year for HTTT. As I've said before there are a handful of very good songs on it and a handful of songs with strong moments. Unfortunately the record is too long, rushed and suffers from trying to have songs that recall everyone of their previous four albums.
I also like the fact that four in I've heard all of them and am very familiar with them yet at the same time I didn't even consider voting for them.
I do hope that we don't see the list dominated by 2003/4 albums at the expense of better albums from the end of the previous decade.
I do hope that we don't see the list dominated by 2003/4 albums at the expense of better albums from the end of the previous decade.
QUOTE(Artem @ Oct 28 2006, 02:28 AM) [snapback]230024[/snapback]
blink>radiohead>eminem
that's just all kinds of wrong
Enema of the State >>>> Hail to the Thief sounds very correct!
I will give u credit on Bends/OKC/Kid A
QUOTE(Hero @ Oct 28 2006, 07:13 AM) [snapback]230054[/snapback]
QUOTE(Artem @ Oct 28 2006, 02:28 AM) [snapback]230024[/snapback]
blink>radiohead>eminem
that's just all kinds of wrong
Enema of the State >>>> Hail to the Thief sounds very correct!
hell no
So my hopes for the list. Shack, Mull Historical Society, Death In Vegas, Gorky's, Elbow, The Coral, The delgados, Roots Manuva and I Might Be Wrong all place at all.
Autechre, Daft Punk, Avalanches, Four Tet, Orbital, The Go! Team, Super Furry Animals, The Sleepy Jackson, Leftfield, Basement Jaxx, Boards of Canada, 2 Many DJ's, Primal Scream, Supergrass, Tricky, DJ Shadow, Doves, Elastica, British Sea Power, Spirtiualized and The Streets all have albums in the top 150.
Autechre, Daft Punk, Avalanches, Four Tet, Orbital, The Go! Team, Super Furry Animals, The Sleepy Jackson, Leftfield, Basement Jaxx, Boards of Canada, 2 Many DJ's, Primal Scream, Supergrass, Tricky, DJ Shadow, Doves, Elastica, British Sea Power, Spirtiualized and The Streets all have albums in the top 150.
none of these were on my top 100 (at least i dont think i had HTTT) I've almost totally given up on radiohead besides ok and select songs from pablo, bends, and idioteque. everything else by them is dead to me, and thom's solo album didn't help this matter for me.
QUOTE(The Good Dr Bill @ Oct 28 2006, 12:42 AM) [snapback]229970[/snapback]
yeah, not such a strong showing for the SOMB's #1 album of 2003.
i'll consider it divine retribution if Room on Fire appears anywhere on this list.
I hope HTTT that low means no AGIB.
QUOTE(MitchellStirling @ Oct 28 2006, 08:13 AM) [snapback]230060[/snapback]
So my hopes for the list. Shack, Mull Historical Society, Death In Vegas, Gorky's, Elbow, The Coral, The delgados, Roots Manuva and I Might Be Wrong all place at all.
bill's "an album needed six votes" warning makes a lot of this highly unlikely, as well as pretty much any dance or minimal electronic music, country music, and - frankly - most hip-hop from the era.
the coral might make it because they're very somb-friendly, Shack maybe because you pimped them, and Delgados because I voted for that one so I know it only needs 4-5 more supporters (and it deserves it). Which Gorky's did you pick: Barafundle, SDT or How I Long...? Having three very, very good albums but no consensus fave really hurts a band like that.
(sickpup's right seven days ouut of week about room on fire > httt)
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