QUOTE(Andyroo @ Dec 13 2006, 12:41 PM) [snapback]266318[/snapback]
I was wondering if I didn't particularly enjoy Kicking and Screaming because I was eleven when it came out (though I watched it this year). I only noted Reality Bites because it is a similar type of film from the same era that I did actually enjoy.
I wonder if enjoying Kicking and Screaming is more dependent on one's personal knowledge of that era or that particular type of experience. I definitely enjoyed parts of it, but overall, I was just waiting for something more interesting to happen. The conversations alone weren't carrying it for me.
That's interesting. I just checked your profile, and you're actually a little over a year younger than me, so this age thing still sort of has me perplexed. I don't disagree that Reality Bites is far more easily enjoyable (I used to watch it on repeat), but I also don't mean that as a good thing. It ultimately teeters into cliche romance as it shifts focuses on the Ben Stiller-Ethan Hawke- Winona Ryder love triange instead of post-college emotions, which is what I think Kicking and Screaming handles so well. Agreed, Kicking and Screaming doesn't have much if any plot, but the dialogue does it for me, and the overall mood it establishes of just being stagnant after college is really well done.
As to personal knowlege of the era, again, I just see Kicking and Screaming as so much less grounded in an era. Reality Bites and the Singles soundtrack make me think of Seatle grunge, or at least how I imagined it, being a little young at the time. It's not like you see Chris Eigeman singing Violent Femmes in Kicking and Screaming. The only culture it references are films from the 70s, Kafka, and Keats.
Apologies for possibly seeming argumentative. I'm just procrastinating/avoiding studying for finals, trying to up my post count after finally starting to post, and really have taken a strong liking of Kicking and Screaming after seeing it for the first time right after the Criterion DVD came out. I think I'm just especially defensive of Noah Baumbach actually after my professional critic roomate despised The Squid and the Whale, where I saw it as one of the best films of last year (though my roomate and film is another post just waiting to be vented).