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drewW
QUOTE(moins que vous @ Feb 27 2006, 06:54 PM) [snapback]30729[/snapback]

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Didn't like this as much as Life Aquatic of Rushmore but still classic Wes Anderson, very funny.



For me...

Rushmore > The Royal Tenenbaums > The Life Aquatic


But The Life Aquatic soundtrack makes up for any bit of disappointment the movie might have left me with (and I didn't hate it whatsoever).
Slackmo
And now, some highlights from the last week or so of Insomniac Theater:

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Pretty spectacular all around, and shames Ray in just about every significant category. Can't believe this got squeezed out by effing Crash for a nomination.
Elemeno P.T.
QUOTE(avatar_ackbar @ Mar 1 2006, 10:15 AM) [snapback]32157[/snapback]



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Holy Shit! has anyone else seen the Special Edition of this movie? It's totally different from the mainstream release. There is a full half hour tacked on to the end of the film. It blew me away.


Love "The Abyss". I take it the extra half hour gives more insight into the aliens?

QUOTE(Slackmo @ Mar 4 2006, 09:21 AM) [snapback]35238[/snapback]

And now, some highlights from the last week or so of Insomniac Theater:

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Pretty spectacular all around, and shames Ray in just about every significant category. Can't believe this got squeezed out by effing Crash for a nomination.

Right on, slackie my boy. I was either tapping my feet or choking back tears through most of this. I think Joaquin wins in many other years- especially over Foxx last year.
Ben
I've disagreed with that in several other places already.

I saw all the Oscar nominated live-action shorts this afternoon. The National Archives had a free screening, which was cool. Cashback, Our Time is Up (with Kevin Pollack!) and the Icelandic one were great. Six shooter is woeful nihilistic British gun porn and the german one must have somehow been lost in translation because it didn't make no god damn sense.
avec
QUOTE(ghost town of my brain @ Mar 4 2006, 04:53 PM) [snapback]35381[/snapback]

Love "The Abyss". I take it the extra half hour gives more insight into the aliens?




Hell yes, more than I expected. You get a completely different movie with the extra footage. I won't tell ya, cuz it'll spoil the whole thing. But if you ever get the urge to revisit this film, please rent the special edition. The original cut left something to be desired at the end. This one has resolution, albeit an outlandish one.

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Check out Jean Pierre Melville's films if you like the crime and heist genre at all. He was pre new wave, but a master of his own style, more mature than many of the subsequent French auteurs. This one and Le Cercle Rouge (the Red Circle) are both really good. Criterion is doing a great job reissuing these.
Ben
I've only seen Bob Le Flambeur, which was alright.
Tony
QUOTE(avatar_ackbar @ Mar 4 2006, 05:54 PM) [snapback]35438[/snapback]

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Check out Jean Pierre Melville's films if you like the crime and heist genre at all. He was pre new wave, but a master of his own style, more mature than many of the subsequent French auteurs. This one and Le Cercle Rouge (the Red Circle) are both really good. Criterion is doing a great job reissuing these.


He was a prime influence on the New Wave. Godard gave him a small part in Breathless.
avec





I just IMDB'd Alain Delon's (actor in Le Samourai) Bio and it says he's the one on the cover of The Smith's Queen is Dead. That doesn't look a thing like him.
Nick
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Slackmo
QUOTE(Nick @ Mar 5 2006, 12:02 AM) [snapback]35616[/snapback]

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Are you really watching these on a PSP? biggrin.gif
Nick
QUOTE(Slackmo @ Mar 5 2006, 11:56 AM) [snapback]35706[/snapback]

Are you really watching these on a PSP? biggrin.gif


Haha, no, those were just the images I pulled from allmovie.com
moins
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an hour and a half though this, pretty good so far, not the best acting though.

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I love Scarlett... and clearly Bill Murray too

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Just picked this up, expecting good things. Focus features doesn't let me down that often.
Hips
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stella del vinile
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not bad. shannyn sossamon is really hot. james van der beek does a pretty good job of playing a jerk.
Slackmo
QUOTE(stella del vinile @ Mar 8 2006, 09:52 AM) [snapback]38194[/snapback]

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not bad. shannyn sossamon is really hot. james van der beek does a pretty good job of playing a jerk.

holy crap--i just watched this yesterday. Some pretty phenomenal storytelling and filmmaking early on, but kinda falls apart about 2/3's in. Really loved the split screen sequence.
Tony
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He says it better then I can.
NumberTenOx
QUOTE(Tony @ Mar 8 2006, 09:59 AM) [snapback]38202[/snapback]

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He says it better then I can.

I have no idea what this means. It's too innelektual for me.
stella del vinile
QUOTE(Slackmo @ Mar 8 2006, 09:59 AM) [snapback]38201[/snapback]

holy crap--i just watched this yesterday. Some pretty phenomenal storytelling and filmmaking early on, but kinda falls apart about 2/3's in. Really loved the split screen sequence.

i tivo'd it last week and finished it yesterday. the movie picked up when victor was describing his trip to europe, then quickly fizzled again. oh well. not a bad way to spend two hours.
held
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I don't know why I'm bothering to mention this thing at all much less why I stayed up watching it last night. It's not really good nor would I describe it as being valid for anything except Joan Cusack has a couple of good lines in it.

AFTERSHOCK
With the whole 2 jobs thing, I really haven't had much time to sit and watch much of anything except episodes of:

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Mock me if you must, but Mr. Roark is a total badass. I want that suit.

And I can't believe the people associated with the 80's Twilight Zone. Not just in front of the camera, but the talent behind the scenes is unreal. There's oodles of commentaries by Wes Craven, Harlan Ellison and more - which is cool with me. And even tho the episodes could be hit or miss, they're almost always centered around a truly fascinating concept, which sparks some fascinating conversations with my friends and family after the credits roll.
HewlettsDaughter
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Great film until you get into the last ten, fifteen minutes. Then it gets really horrible and makes you question everything you just watched. B ut not in a good way. In a "what the fuck is going on" way. Seriously, I don't see the need for these damned twist endings in horror films, especially one as shoddy as this.

A note to Alexandre Aja, the director of this film...if The Hills Have Eyes has some bullshit ending like this, I will find you and cut you to pieces with a bonesaw. Grrrrr...
Elemeno P.T.
QUOTE(Hewletts Daughter @ Mar 8 2006, 02:50 PM) [snapback]38390[/snapback]

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Great film until you get into the last ten, fifteen minutes. Then it gets really horrible and makes you question everything you just watched. B ut not in a good way. In a "what the fuck is going on" way. Seriously, I don't see the need for these damned twist endings in horror films, especially one as shoddy as this.

A note to Alexandre Aja, the director of this film...if The Hills Have Eyes has some bullshit ending like this, I will find you and cut you to pieces with a bonesaw. Grrrrr...

Precisely. Stylistically shot, and very well edited- it could have been an instant classic...but the ending was just brutally bad.
HewlettsDaughter
QUOTE(ghost town of my brain @ Mar 8 2006, 02:26 PM) [snapback]38497[/snapback]

Precisely. Stylistically shot, and very well edited- it could have been an instant classic...but the ending was just brutally bad.

Seriously. I actually was planning on writing a three page paper on the film for my Horror Film class. We were given a list of movies to check out for this foreign horror film paper we have due in a few weeks, and i noticed it wasn't on there. I emailed my prof to ask her if I could use this movie and she told me she didn't include it on the list, partly because there are parts in English, but moreover because she didn't think it was a good movie all because of the ending. Well, now I know she's right. Time to move on and watch Cannibal Holocaust or something else.
helmet52
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Pretty disappointing considering Sam Mendes directed it. The cinematography over the final hour was impressive, but the character development was poor and there wasn't a whole lot to keep my interest. I felt completely indifferent about it - maybe a very lukewarm "thumbs up" at best.
Tony
QUOTE(helmet52 @ Mar 9 2006, 02:50 PM) [snapback]39564[/snapback]

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Pretty disappointing considering Sam Mendes directed it. The cinematography over the final hour was impressive, but the character development was poor and there wasn't a whole lot to keep my interest. I felt completely indifferent about it - maybe a very lukewarm "thumbs up" at best.


Sounds like a good description of his first two features.
AFTERSHOCK
QUOTE(Tony @ Mar 9 2006, 04:05 PM) [snapback]39582[/snapback]
Sounds like a good description of his first two features.

He did the overrated American Beauty, right?
Tony
QUOTE(AFTERSHOCK @ Mar 9 2006, 04:49 PM) [snapback]39672[/snapback]

He did the overrated American Beauty, right?



Yes.
Angrimorfee
QUOTE(Hewletts Daughter @ Mar 8 2006, 02:50 PM) [snapback]38390[/snapback]

A note to Alexandre Aja, the director of this film...if The Hills Have Eyes has some bullshit ending like this, I will find you and cut you to pieces with a bonesaw. Grrrrr...


The Onion was none too impressed with his Hills...http://www.avclub.com/content/node/46114
avec
QUOTE(agrimorfee @ Mar 9 2006, 07:24 PM) [snapback]39722[/snapback]

The Onion was none too impressed with his Hills...http://www.avclub.com/content/node/46114



the preview i saw on tv didn't look too impressive. High Tension was on my list, but now I'm rethinking that. Does anyone have any suggestions for modern horror to rent?

Has anyone seen Cabin Fever? I thought about picking that one up.
held
So I stay home sick and watch one classic and a bunch of mediocre junk..

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Later remade as 'Heaven Can Wait'. Stellar pic.

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dumb

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I'm getting sick of this whole multiple personality thing. It seems like this was a trend.
I realize it's based on Stephen King but it falls flat in the end.

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I recall seeing trailers for this thinking it might actually be funny but instead it was just barely tolerable.

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I haven't finished watching this yet. Not sure if I should bother.
It is John Woo but it's far from his worthy material it seems.
NumberTenOx
QUOTE(gimmick @ Mar 10 2006, 11:33 AM) [snapback]40341[/snapback]

So I stay home sick and watch one classic and a bunch of mediocre junk..

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I haven't finished watching this yet. Not sure if I should bother.
It is John Woo but it's far from his worthy material it seems.


Oh man... laugh.gif laugh.gif

This was so awful, I nearly died laughing. Just watch Total Recall. It's just as dumb.
Tony
QUOTE(NumberTenOx @ Mar 10 2006, 02:51 PM) [snapback]40630[/snapback]

This was so awful, I nearly died laughing. Just watch Total Recall. It's just as dumb.



Both based on Philip K Dick material. Total Recall was good though.
Mitchell
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In preps for the vote, going through some classics tonight. Haven't seen this for a few years.
AFTERSHOCK
QUOTE(Tony @ Mar 10 2006, 05:04 PM) [snapback]40690[/snapback]
Both based on Philip K Dick material. Total Recall was good though.
Woah... another random title that Tony and I surprisingly agree on. I just watched that one not too long ago. For some reason, I felt like watching some fast scifi and Paul Verhoven used to be the action man. His trilogy of scifi films (Robocop, Total Recall and Startship Troopers) are not exactly works of art, but they're still pretty good. Plus, Sharon Stone was damn hot back then. It's only Ahnold who blows the film... but you gotta love Michael Ironside doin' that badass thing he does so well.
Tony
QUOTE(AFTERSHOCK @ Mar 10 2006, 06:17 PM) [snapback]40754[/snapback]

Woah... another random title that Tony and I surprisingly agree on. I just watched that one not too long ago. For some reason, I felt like watching some fast scifi and Paul Verhoven used to be the action man. His trilogy of scifi films (Robocop, Total Recall and Startship Troopers) are not exactly works of art, but they're still pretty good. Plus, Sharon Stone was damn hot back then. It's only Ahnold who blows the film... but you gotta love Michael Ironside doin' that badass thing he does so well.


I'd call them Art. He's a satirist with a classical sense of film direction. Ken Russell called him one of the 20th century's great Pop Artists. Arnold was wrong for TR. The whole damn point was this is an ordinary Joe Schmo who realizes that he has these physical abilities. When people say things like "You're no secret agent...you're just an ordinary guy" to Arnold Schwartzengger it's hard not to laugh.
mouthbreather
QUOTE(Tony @ Mar 10 2006, 09:01 PM) [snapback]40819[/snapback]

I'd call them Art. He's a satirist with a classical sense of film direction. Ken Russell called him one of the 20th century's great Pop Artists. Arnold was wrong for TR. The whole damn point was this is an ordinary Joe Schmo who realizes that he has these physical abilities. When people say things like "You're no secret agent...you're just an ordinary guy" to Arnold Schwartzengger it's hard not to laugh.

And "Showgirls" is definitely a work of art! wink.gif

(Actually I usually enjoy Verhoven's films - especially "Robocop")
avec
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I think I'm over Woody Allen. I couldn't sit through a half hour of this film.
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Bresson and a Donkey. Not as good as country priest, but better than pickpocket IMO.
Nick
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Not all bad.
ryan
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Wow. I picked this up after reading of how it was the first Iraqi film to see a formal release since the war began.

QUOTE(Amazon.com)
Too few films capture war from the point of view of the children who endure it--perhaps because it's awful to contemplate. But Turtles Can Fly manages to be both heartbreaking and galvanizing in its depiction of young Iraqis waiting for the U.S. Army to roll over their village on the border of Turkey. A boy called Satellite (Soran Ebrahim), so called because he knows how to hook up a satellite dish, divides his time turning himself into a big operator--he commands a small army of children who search the fields for land mines they can sell to the U.N.--and wooing a pretty but haunted girl named Agrin (Avaz Latif) whose brother has no arms but can see the future. Satellite's mixture of scheming and genuine compassion drives the movie forward; it's impossible not to become engrossed in his courage and ambition, even as the world crumbles around him. Since the U.S. has linked its fate with that troubled country, learning a little about the Iraqi people would be good for everyone involved; fortunately, Turtles Can Fly is more than just an educational opportunity. Rich humor helps balance the harrowing circumstances, making the movie a riveting experience. --Bret Fetzer
Slackmo
A week's worth of Insomniac Theater:

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Man o man--this series is officially four for four. I think Newell was a good call for all the budding adolescence stuff in this movie, but maybe the series has leapt ahead of Grint's capabilities. He seemed a little out of his element, still mugging while the others have learned to act. This will work its way into the revised mid-year reassessment of 2005.


Slackmo
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Absolutely woeful and pointless. A real disappointment from Verbinski, as well as a real waste of Michael Caine.
Slackmo
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I can't say this wasn't entertaining, but I still can't recommend it. Keira acquits herself nicely, as does most of the rest of the folks, but Tony Scott has gone way too far into the ADD wasteland, and his dp needs to stop the whole blue tint/blow-out-the-whites thing. It's almost unwatchable, image-wise.
moins
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perhaps made me question the very idea of relationships... very fucked up but i liked it.
avec
QUOTE(Slackmo @ Mar 12 2006, 01:20 PM) [snapback]41286[/snapback]


I can't say this wasn't entertaining, but I still can't recommend it. Keira acquits herself nicely, as does most of the rest of the folks, but Tony Scott has gone way too far into the ADD wasteland, and his dp needs to stop the whole blue tint/blow-out-the-whites thing. It's almost unwatchable, image-wise.


Did not see this film and won't, but I think I know what you're saying. I can't stand when modern mainstream films tint the images in a sick kind of glow. Makes me feel like I'm watching a NIN video or something.
Angrimorfee
THX-1138 The Director's Cut.

A fascinating movie. We just sat and didn't move for the whole 2 hours. Maybe some people are correct that Lucas never made a better movie. Almost ruined by obvious, needless CGI implantation of extra cars and "shell people".

Watch the featurettes which explain where the term "wookie" comes from, and the stars' reactions to getting their head shaved for their roles.
Freddie Freelance
QUOTE(Slackmo @ Mar 12 2006, 09:20 AM) [snapback]41286[/snapback]

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I can't say this wasn't entertaining, but I still can't recommend it. Keira acquits herself nicely, as does most of the rest of the folks, but Tony Scott has gone way too far into the ADD wasteland, and his dp needs to stop the whole blue tint/blow-out-the-whites thing. It's almost unwatchable, image-wise.

Keira's much better looking than the real Domino (just because someone's a former model deosn't mean she's good looking):

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And I think that that color/tint wash out thing comes from the '80s attempts at a New Noir, where colors were often washed out by a too bright California sun. This effect was later overused in music videos, and then by directors who started out directing commercials or videos...
without_opinion
saw the Ring 2 yesterday. really, just more of the same. it was scarier the first time through and in the sequel i wasn't really surprised by anything that happened. the images weren't as frightening or creepy the second time around.
but the kid who plays the son in that movie -- you could just have him look at the camera for 90 minutes and you'd have a horror movie. i'm worried about his teenage development after appearing in these flicks.

and there is one freakout scene -- when naomi watts is climbing up the inside of the well and the dead-ghost-chick is coming after her, climbing with all four limbs in that bizarre stop-motion & speed up way that she moves. yikes.
Slackmo
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This is a train wreck. In an email to a friend, I described it this way: "Every movie, on some level, is simply a series of choices made by the writer, director, and actors. And holy hell does this movie make just about every bad decision." Cameron Crowe has become a parody of himself, and should probably have his iPod taken away from him. Dunst is cloying and unconvincing, Bloom is effeminate and unconvincing, and the stellar cast of bit players is essentially wasted. So many of what should be the most satisfying parts of the movie are glazed over with stock montages, to the point where I was dying to hear the Parker/Stone "Montage" song.

And yet...there is something about Crowe's earnestness that you can't help but respond to. The movie, while blatantly flawed, just seems so damn sincere--you really get the feeling that even though he's making mistakes, Crowe's heart is really in the thing. And there are a few scenes with some real resonance, even though Crowe tries to have about 100 scenes that are supposed to floor you. I can't recommend it, but in a lot of ways it's a spectacular, horrible, glorious, excruciatingly frustrating wreck of a movie.

Mitchell
4 films, 3 sets of two thumbs up. One above average film. The one without that stigma.
Elemeno P.T.
QUOTE(Slackmo @ Mar 13 2006, 02:30 PM) [snapback]41918[/snapback]

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This is a train wreck. In an email to a friend, I described it this way: "Every movie, on some level, is simply a series of choices made by the writer, director, and actors. And holy hell does this movie make just about every bad decision." Cameron Crowe has become a parody of himself, and should probably have his iPod taken away from him. Dunst is cloying and unconvincing, Bloom is effeminate and unconvincing, and the stellar cast of bit players is essentially wasted. So many of what should be the most satisfying parts of the movie are glazed over with stock montages, to the point where I was dying to hear the Parker/Stone "Montage" song.

And yet...there is something about Crowe's earnestness that you can't help but respond to. The movie, while blatantly flawed, just seems so damn sincere--you really get the feeling that even though he's making mistakes, Crowe's heart is really in the thing. And there are a few scenes with some real resonance, even though Crowe tries to have about 100 scenes that are supposed to floor you. I can't recommend it, but in a lot of ways it's a spectacular, horrible, glorious, excruciatingly frustrating wreck of a movie.

Along with John Singleton's Four Brothers, the worst film I saw in 05.
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