QUOTE(partyboatmelvin @ Aug 5 2006, 04:54 PM) [snapback]156172[/snapback]
Damn you people with your good movie theaters. I'd give a nut to see Lawrence of Arabia in 70mm.
I caught a screening at the Music Box a few years ago, GORGEOUS, I just wish the screen was bigger and the seats had more knee space. It was also the "director's cut" to boot...easy to spot, during the opening when Lawrence crashes his bike, look for a close-up of his goggles hanging from a branch, that's the first shot they reinstated for the director's cut - I think the director's cut is usually the one people show, but the first time I saw it in a theater, it was actually the shorter, theatrical cut.

Man, this was tough to get through, one of the most challenging pictures I've seen due to the Taiwanese history involved (a subject I'm barely familiar with) and the way this was made...if you knocked
The Godfather II for juggling one story too many, you may have a tougher time with this one, which blends flashbacks, a present day story, and historical flashbacks (or a film within the film or the imagination of the female protagonist...it's left a little bit open, but it's not that important, just that the historical storyline has a correlation to the present one) all together. Taken with the director's minimalist style and the complexity of the ideas, this is very challenging stuff, you may need to see it twice, but it's pretty amazing.