Show 306: The Legacy of R.E.M. & A Review of the New Album from Wilco
Listen to the MP3 Stream of this show: (link)
Download the Podcast: (Download the MP3)
1a At the top of the show Greg tells Jim about his visit to the Future of Music Coalition Policy Summit that ran earlier this week in Washington D.C. The first bit of news concerns copyright legislation, or rather a lack thereof. U.S. Rep. Bob Goodlatte and Maria Pallante, the federal register of copyrights, basically said they were relying on the private sector to combat file-sharing. Technology is just too far ahead of the laws for them to change quickly.
1b In other FMC news, the band Cheap Trick flew to Washington to lobby Congress for stricter regulations of temporary stages. They experienced one of many stage collapses this summer, which resulted in injuries, and in some cases, deaths. And the band hopes that stages are held to as high a standard of safety as carnival rides or elevators.
2a After over three decades, R.E.M. announced it was breaking up a couple of weeks ago. So during this episode Jim and Greg look back at its career highlights and lowlights, and discuss its legacy in the years to come. R.E.M., along with U2, is unique among bands from the indie rock ‘80s. It not only achieved career longevity, but, for better or worse, skyrocketed to arena status. Jim and Greg also have a unique relationship with the Athens, GA musicians. Both remember covering the band as mere fanzine writers, maturing as critics the same time R.E.M. was as a band.
2b Greg talks in-depth about R.E.M.’s I.R.S. years with landmark albums like Murmur and Fables of the Reconstruction. His favorite track from this 1st era is “Pretty Persuasion” from Reckoning in 1983. Jim goes on to discuss its transition to a major label. Their Warner releases Green, Out of Time and Automatic for the People didn’t let their loyal fans down. But, things fell off after that. Greg makes an argument for New Adventures in Hi-Fi from 1996, and both critics agree that drummer Bill Berry’s departure marked a great loss in terms of sound and connection. But when it comes to R.E.M.’s legacy, they’re sure new generations of listeners will focus on the good years, rather than the bad. And its model of building grassroots fans that transitioned with them from label to label, club to arena is one new indie bands would be wise to follow.
3 Wilco has a new album out called The Whole Love, and it comes at a time of consistency for the band, which formed out of the ashes of Uncle Tupelo in 1994. Its current lineup is the longest running in the band’s history. But for the first time in a couple of albums, Jim says the music has gone from beyond good to extraordinary. He notes the comparison to former label mate R.E.M., and suggests Wilco took the smart route by going completely independent. Greg is reminded of the days when Wilco really took chances. There’s a sense of surprise, and bass player John Stirratt and drummer Glenn Kotche’s playing is phenomenal. The Whole Love gets a double Buy It.
4 Sylvia Robinson passed away last week at the age of 75. One half of Mickey and Sylvia, Robinson earns her place in the music history books through her contributions as a businesswoman. She co-founded Sugar Hill Records, which pioneered early hip-hop. To honor Robinson, Jim decides to take one of Sugar Hill’s most significant tracks to the Desert Island Jukebox: “The Message” by Grandmaster Flash and the Furious Five. The track demonstrated that rap music could not only get people moving, but could inspire and spread a message.
Songs Featured in Show #306
The Staples Singers, “Washington We’re Watching You,” City in the Sky, Stax Records, 1974
R.E.M., “Losing My Religion,” Out of Time, Warner Bros., 1991
R.E.M., “Cuyahoga,” Lifes Rich Pageant, I.R.S., 1986
R.E.M., “Little America,” Reckoning, I.R.S., 1984
R.E.M., “Gardening at Night,” Chronic Town, I.R.S., 1982
R.E.M., “Radio Free Europe,” Murmur, I.R.S., 1983
R.E.M., “1,000,000,” Chronic Town, I.R.S., 1982
R.E.M., “Pilgrimage,” Murmur, I.R.S., 1983
R.E.M., “Pretty Persuasion,” Reckoning, I.R.S., 1984
R.E.M., “South Central Rain (I’m Sorry),” Reckoning, I.R.S., 1984
R.E.M., “The One I Love,” Document, I.R.S., 1987
R.E.M., “Welcome to the Occupation,” Document, I.R.S., 1987
R.E.M., “Pop Song 89,” Green, Warner Bros., 1988
R.E.M., “World Leader Pretend,” Green, Warner Bros., 1988
R.E.M., “Stand,” Green, Warner Bros., 1988
R.E.M., “Half a World Away,” Out of Time, Warner Bros., 1991
R.E.M., “Shiny Happy People,” Out of Time, Warner Bros., 1991
R.E.M., “Drive,” Automatic for the People, Warner Bros., 1992
R.E.M., “Near Wild Heaven,” Out of Time, Warner Bros., 1991
R.E.M., “Everybody Hurts,” Automatic for the People, Warner Bros., 1992
R.E.M., “Bang and Blame,” Monster, Warner Bros., 1994
R.E.M., “How the West Was Won and Where It Got Us,” New Adventures in Hi-Fi, Warner Bros., 1996
R.E.M. “Fall On Me,” Lifes Rich Pageant, I.R.S., 1986
Wilco, “Art of Almost,” The Whole Love, dBpm, 2011
Wilco, “One Sunday Morning (Song for Jane Smiley’s Boyfriend)” The Whole Love, dBpm, 2011
Grandmaster Flash and the Furious Five, “The Message,” The Message, Sugar Hill, 1982
The Nerves, “Hanging on the Telephone,” The Nerves, Bomp!, 1976
Susquatch, “Ghost,” In This World, K-PLAN, 2009
KISS, “Beth,” Destroyer, Casablanca Records, 1976
Alice Cooper, “I’m Eighteen,” Love It to Death, Warner Bros/Wea, 1975