Show 344: Van Hunt, Fiona Apple Review & Greg's DIJ
Listen to the MP3 Stream of this show: (link)
Download the Podcast: (Download the MP3)
1a Watch this Home Depot ad or this Pizza Hut spot and you might find yourself playing a game of Name That Tune. The Black Keys’ Dan Auerbach and Patrick Carney are suing these corporations for what they say is their use of “sound alike” tunes - in this case, instrumental tracks that rip off key elements of the band’s hits “Lonely Boy” and “Gold on the Ceiling .” The two are seeking $75,000 in damages apiece. We’ll have to wait and see if they get it, but this did work for Tom Waits in the eighties…
1b Tragedy struck the Radiohead tour recently when a stage collapse in Toronto killed a drum tech and injured three others. The collapse continues a disturbing trend of similar accidents last year, notably the Indiana State Fair collapse and a collapse in Ottawa that nearly crushed the members of Cheap Trick. Cheap Trick’s near miss motivated them to lobby Congress for greater regulation of the temporary stage industry, but action didn’t come soon enough for the Radiohead crew. Now four entities including Live Nation and Radiohead’s touring arm are being investigated in the accident. It’s been a rough summer for EDM fans too. Two concertgoers died at this month’s Electric Daisy Carnival in Las Vegas. The event’s promoter, Insomniac Events, denies responsibility for the deaths, which occurred outside festival boundaries. No word yet on whether Las Vegas will take any action.
2 Singer, songwriter, and multi-instrumentalist Van Hunt grew up in funk-soaked Dayton, Ohio. Today he counts Frank Zappa and Ray Charles – not to mention Bach – among his influences. That musical adventurousness is just one reason Jim and Greg were drawn to his latest album, 2011’s What Were You Hoping For? Van dropped by the studio to perform tracks from the record, and he let Jim and Greg in on the story behind his first independent release. Van got his start in the music biz a decade ago producing R&B and hip-hop tracks for the likes of Dionne Farris in Atlanta. When he went solo in 2004, it was on a major label. But the higher ups at Capitol weren’t so thrilled when Van shunned the standard R&B format for a freewheeling mix of sounds that recalled the soul and funk of Sly Stone as much as it did the glam of David Bowie. In 2008, they shelved his third record Popular. Now that he’s on his own, Van’s free to indulge his genre-blending impulses in songs about everything from time machines.
3 The title of Fiona Apple’s latest album The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do is certainly a mouthful (though it doesn’t hold a candle to her sophomore album title. It’s only her fourth release since Tidal put her on the map in 1996, but this time around Jim notes she’s taking a slightly different tack. Apple declined production help from friend Jon Brion and worked instead with her touring drummer Charley Drayton. The result, Greg says, is admirably stripped down. The album reminds him of seeing Apple live at her LA home stage, Largo. The vocals in particular are front and center. She’s never pushed her voice this far, singing in a high falsetto one minute and scattinghhhh the next. Even better, there’s plenty of hooks. Greg says it’s the best album of her career – a buy it all the way. Jim on the other hand, is reaching for the Excedrin extra strength. While he admires Apple’s ambition, he says listening to this needlessly complicated album is a chore. The last track “Hot Knife” epitomizes everything that’s wrong: rolling timpani, scatting, a bridge that goes nowhere, and ululations that drive him bonkers. Trash it.
4 For his DIJ pick, Greg goes with Reggae all-star Jimmy Cliff’s anti-war song “Vietnam.” While Cliff’s legacy is sometimes overshadowed by those of Bob Marley and Peter Tosh, Greg says Cliff was instrumental in popularizing reggae in America. Not only did he star in The Harder They Come and pen that movie’s most enduring tracks, he also wrote “Vietnam,” a tune which none other than Bob Dylan called the best protest song ever written. “Vietnam” tells the story of a soldier’s death in two letters home. For Greg, it’s the song that proved once and for all that Reggae was much more than just a fad and a rhythm. This genre was here to stay.
Songs Featured in Show #344
The Black Keys, “Lonely Boy,” El Camino, Nonesuch, 2011
Radiohead, “Lotus Flower,” The King of Limbs, self-released, 20111
Van Hunt, “A Time Machine is My New Girlfriend,” What Were You Hoping For?, Godless Hotspot, 2011
The Ohio Players, “Fire,” Fire, Mercury, 1974
Dionne Farris, “Hopeless,” Love Jones: The Music, Sony, 1997
Van Hunt, “Ride, Ride, Ride” On the Jungle Floor, Capitol, 2006
Van Hunt, “Watching You Go Crazy Is Driving Me Insane (Live on Sound Opinions),” What Were You Hoping For?, Godless Hotspot, 2011
Van Hunt, “Falls (Violet),” What Were You Hoping For?, Godless Hotspot, 2011
Van Hunt, “Eyes Like Pearls,” What Were You Hoping For?, Godless Hotspot, 2011
Yo-Yo Ma, “Suite No. 1 in G Major, BWV 1007 – Gigue,” J.S. Bach: The 6 Unaccompanied Cello Suites Complete, Sony Classical, 1983
Frank Zappa, “Willie the Pimp,” Hot Rats, Bizarre, 1969
Van Hunt, “Who Will Love Me in Winter (Live on Sound Opinions),” Van Hunt, Capitol, 2004
Van Hunt, “Turn My TV On,” Popular, unreleased, 2008
Van Hunt, “Moving Targets,” What Were You Hoping For?, Godless Hotspot, 2011
Van Hunt, “What Were You Hoping For?,” What Were You Hoping For?, Godless Hotspot, 2011
Van Hunt, “Cross Dresser,” What Were You Hoping For?, Godless Hotspot, 2011
Van Hunt, “It’s a Mysterious Hustle,” What Were You Hoping For?, Godless Hotspot, 2011
Fiona Apple, “Every Single Night,” The Idler Wheel…, Epic, 2012
Fiona Apple, “Hot Knife,” The Idler Wheel…, Epic, 2012
Jimmy Cliff, “Vietnam,” Jimmy Cliff, Trojan, 1969
Ciara, “Pick Up The Phone,” Goodies, LaFace, 2004
Anders Osborne, “Black Tar,” Black Eye Galaxy, Alligator, 2012
Brother Ali, “Dorian,” Shadows on the Sun, Rhymesayers, 2003
Frankie Laine, “Rawhide,” Frankie Laine, Columbia, 1952