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The annual Lollapalooza music festival brought over 300,000 fans to Chicago's Grant Park last weekend. Festivals like Lolla have become huge sources of revenue for music corporations, primarily attracting“millennials”interested in hearing newer pop and electronic acts. Jim thinks the nature of the festival is the reason for the primarily young audience – it provides younger listeners with the chance to party with their friends while enjoying their favorite music. But Jim notes that the hundreds of hospitalizations and dozens of arrests make the festival unnecessarily dangerous. Despite the younger audience, Friday headliner Paul McCartney attracted a large number of fans to his performance, but Greg says he's an exception to the rule. While older acts can sometimes be out of place at these sort of festivals, Greg and Jim are both doubtful that any current pop act – save Taylor Swift – could attract the same number of fans as a McCartney. Both hosts think the concept of the music festival needs to be redesigned to suit the needs of the modern audience.

Go to episode 506

Music News

For the third year in a row the Lollapalooza Music Festival took over Chicago's Grant Park for a weekend. Jim and Greg were both there to report on how the festivities went down, and both critics agree the highlight was, by far, Iggy Pop and the Stooges. The punk rocker's high-energy performance toed that line between good fun and danger, something Jim wishes there was more of in rock and roll. Something Jim also wished there was more of at the festival was less of a“shopping mall”environment. He asked Lollapalooza impresario Perry Farrell about the need for such extensive VIP sections and the effect that things like the“radius clause”have on struggling bands and struggling clubs. Greg actually thought the festival was run quite well and treated fans with respect; there was plenty of food, water and bathrooms — something he can‘t say about all other festivals. This critic’s major beef with Lollapalooza is mostly aesthetic. He would like to see fewer stages, fewer filler bands, and more emphasis on thoughtful bookings. We'll just have to wait until Lollapalooza 2008 to see if they take this free advice.

The news takes a slightly darker turn next, with two stories involving Adolf Hitler and Hitler memorabilia. The first concerns the pop purveyor of all things dark: Marilyn Manson. The goth-glam rocker is being sued for $20 million by his former keyboardist, known to fans as Madonna Wayne Gacy. He claims that Manson spent band profits on personal items, including coat hangers used by Adolf Hitler, a handbag owned by Eva Braun, and the full skeleton of a four-year old Chinese girl. Manson says the claims are ridiculous, adding, "I would never spend my money on a Chinese girl skeleton… That would be crossing the line. It's a Chinese boy, for the record.‘’

Another surprising news item: Around 100 records apparently belonging to Adolf Hitler have been discovered in a former Soviet intelligence officer's attic. The collection reveals that while Hitler was publicly heralding“racially pure”German music, his musical taste included some artists forbidden in the Third Reich. Some of the findings were not shocking: Wagner, Beethoven and Anton Bruckner. But, the dictator also appears to have owned works by Jewish and Russian performers like Pyotr Tchaikovsky, Sergei Rachmaninov and Artur Schnabel.

To quote Elton John's own song, "The Bitch is Back." The singer/songwriter has popped up in the news again, this time expressing his beef with…the Internet, of all things. In a piece in British tabloid The Sun, John contends that the web has destroyed music, and explains, "I do think it would be an incredible experiment to shut down the whole Internet for five years and see what sort of art is produced over that span." Sir Elton adds that he's doing his part by shutting out iPods and cellphones, and, we can only guess, communication with the world. Apparently this musician hasn't had the same experience with music on the internet as fellow Brits Lily Allen or Pete Townshend.

Just a week after Jim lauded his new album Cake or Death, psychedelic cowboy Lee Hazlewood died of cancer at the age of 78. The musician is best known for writing and producing hits for others, including "These Boots Are Made For Walkin'" for Nancy Sinatra. But, Jim and Greg discuss how he developed a cult following in later years, and became legendary for his innovation and independence. This earned him the adoration of a new generation of rock musicians that includes Nick Cave and Sonic Youth. Jim and Greg pay tribute to Hazlewood by playing his song, "Some Velvet Morning."

Go to episode 89