Results for John Kennedy O'Connor

interviews

John Kennedy O'Connor on Eurovision

The Eurovision Song Contest is largely unknown to most Americans, but for much of the world, the annual songwriting contest is one the biggest (and occasionally, one of the most controversial) cultural events of the year. Like the Superbowl meets American Idol on steroids, the nearly 60-year old televised contest has grown to include more than 35 countries from in and around Europe duking it out to decide who has best original song. Each year an estimated 125 million people tune in to watch and it's their votes which determine who comes out on top.

Despite the fervor before and during the contest, most Eurovision winners rarely go on to further success as artists - with few exceptions. Chief among those is ABBA, who arguably wouldn't have become a pop music powerhouse for 40 years if it weren‘t for their big break at Eurovision. To learn more about their musical birthplace, and just why it’s so darn popular, Jim and Greg recruited John Kennedy O'Connor, author of The Eurovision Song Contest: The Official History, to share the storied, and oftentimes strange, history of the annual music phenomenon. They‘ll all be tuning to watch this year’s contest in Denmark on May 6th.

Go to episode 438
news

Music News

The song contest/political science experiment called Eurovision took place on Saturday. Jim and Greg have been looking forward to the weird and wonderful phenomenon since speaking with expert John Kennedy O'Connor last month—and Eurovision 2014 did not disappoint. This year's prize went to "Rise Like a Phoenix," a power ballad belted by Austrian diva Conchita Wurst, the drag persona of Mr. Thomas Neuwirth. But the real star of the evening? Politics. Though some considered Wurst's win a victory for tolerance, it outraged conservatives in countries like Russia and Belarus. Meanwhile, Russia and Ukraine turned the conflict over Crimea into a fight for the spotlight, and the audience showed disdain for Putin by booing the Russian act. Americans may not“get”Eurovision, but 180 million viewers can't be all wrong…

In other bizarre international news is a story from the New York Times. Apparently the people of China have gotten used to saying "goodbye"—or, more to the point, "get out!"—to the dulcet tones of one Kenny G. All across China, the elevator jazz giant's 1989 hit "Going Home" is played at malls, gyms, libraries, and even wedding banquets to signal the day's end. Many don‘t know the song’s name, but they know to pack up and leave once it starts playing. And while China's non-existent royalty policy means that the sax-man makes very little off his ubiquitous tune, Kenny has taken it in stride, joking that at Chinese concerts, he plays“Going Home”last to keep people from leaving early. Greg thinks that China has managed some impressive social engineering—almost Pavlovian, says Jim. But our hosts can sympathize: Hearing Kenny G makes them evacuate the premises, too.

Go to episode 442