Results for Nashville
Georgia-born musician Mackenzie Scott emerged out of the Nashville scene in 2013 with a critically-lauded debut under the moniker Torres. Her 2015 followup Sprinter, recorded with PJ Harvey collaborator Rob Ellis, has earned even more acclaim, including a spot in Greg's Best of 2015 (So Far) list. Torres joined Jim and Greg in the studio to discuss her emotionally charged and unconventional songwriting. She became devoted to music early on, idolizing Taylor Swift as a teen and then earning a college degree in songwriting. Her songs are both intensely personal and also sung behind the guise of characters, drawing inspiration from varied sources like the Old Testament and J.D. Salinger. Torres explains how music allows her to confront feelings about her childhood when other methods of communication have failed.Go to episode 501
Our guest this week is the alternative grunge band out of Nashville, Bully. The group is fronted by Minnesota native Alicia Bognanno, with drummer Stewart Copeland (no, not the drummer of The Police,) bass player Reece Lazarus and guitarist Clayton Parker. In 2013, the band signed with Columbia on their Startime International label and in June of this year, released their debut full-length album, Feels Like.
Jim first saw Bully perform at SXSW this year in Austin and was blown away by their sonic power and emotional lyrics. A few weeks ago, Bully came into the studio and while unfortunately Greg couldn't be there, Jim had a great time talking to the members about their past professions, '90s nostalgia and their unique sound.Go to episode 510
Considering that Rosanne Cash was born into music royalty, she's a veteran of the business. But that hasn't stopped her from blazing her own trail. The eldest daughter of Johnny Cash, Rosanne, too, is something of a maverick, never fitting into any proper "Country" or "Rock" cagetories. She eschewed the binding confines of Nashville for New York City, where she lives with husband and musical partner John Leventhal. Rosanne recently released her 13th studio album, The River and the Thread, and she joined us for a special live performance at the WXPN studios in Philadelphia. She talked with Jim and Greg about her father's legacy, working with her husband, breaking away from the Nashville industrial complex, and how she can write a beautiful song based on a tweet.Go to episode 452
Steve Earle is Jim and Greg's guest this week. The singer/songwriter who can also add actor, novelist, radio show host and playwright to his credits visited the show with his duet partner, muse and seventh wife Allison Moorer. That's right: seven. But Steve is obviously not a man who is afraid of risks. After years living and working in Nashville, he moved to New York. And after years making rock music, he decided to incorporate hip hop beats and electronic elements on to his most recent record Washington Street Serenade. You can hear stripped down versions of the tracks, "Tennessee Blues," "Days Aren't Long Enough," and "Sparkle and Shine" during the show.Go to episode 122
Jack White is one of the most prolific, inventive, and mercurial characters in rock today. This week, Jim and Greg head down to Third Man studios in Nashville for a wide-ranging conversation with the former White Stripe and recent solo artist. White is known for being loose with the truth in interviews (no, Meg White is not his sister), but his talk with Jim and Greg is surprisingly candid and thoughtful. He recalls playing drums with his brothers at age five, being tutored by a neighbor in rock history, and discovering the blues recordings of Son House. There was no expectation, he says, that The White Stripes - a band that took design inspiration from peppermint candies and thwarted notions of“authenticity”by playing the blues like kids - could ever make it in the mainstream. The element of accident and luck in the Stripes' success, he says,“will never be lost on me.”White describes how his first record as a solo artist, Blunderbuss, also came about by accident. When hip-hop artist RZA failed to show for his Third Man recording session, White decided to record with the band that had come in himself. Blunderbuss earned Buy it ratings from both Jim and Greg.Go to episode 349
Today is Part 2 of our appreciation of Bob Dylan. During this episode, Dylan plugs in. Jim and Greg discuss how and why Dylan went electric in 1965, and get a first-hand account of his famous, or infamous, concert at the Newport Folk Festival from musician, songwriter and A&R man Al Kooper. Al performed with Dylan onstage at Newport, and he explains to Jim and Greg that there has been a lot of misinformation when it comes to the“boos.”He also lent his signature organ playing to tracks like "Like a Rolling Stone," which really changed the game in rock ‘n’ roll.
In the second half of Jim and Greg's discussion with Al Kooper, they focus on the masterful double album Blonde on Blonde, which turns 45 this year. Al shares memories from the recording sessions in Nashville where he, Dylan and Robbie Robertson were joined by harmonica player, guitarist and bassist Charlie McCoy, guitarist Wayne Moss, guitarist and bassist Joe South, and drummer Kenny Buttrey. Al recalls being truly impressed with the musicians, and describes the vibe as much more refined than during the chaotic sessions of Highway 61 Revisited. He compares Blonde on Blonde to a finely manicured lawn. To go out, Jim and Greg play their two favorite tracks from the album. Jim goes with "Leopard Skin Pill-box Hat," which illustrates Dylan's sense of music history and also his great use of humor. Greg plays "Visions of Johanna" which he describes as the quintessential song from the quintessential Dylan album.Go to episode 283
Stevie Nicks 24 Karat Gold: Songs from the Vault
The "Welsh Witch", Stevie Nicks, is back with her eighth solo studio album called 24 Karat Gold: Songs from the Vault, and as the title suggests, the record features new recordings of old songs Nicks has kept locked away since the late 1960's. To reimagine the decades-old tracks, she's enlisted the help of a squeaky clean Nashville backing band and squeky clean pop stars like Lady Antebellum and Vanessa Carlton. Jim is not a fan of these choices. He misses the old Stevie's Celtic folk feel and her ethereal voice, which is now starting to show its age. Jim knows the Stevie Nicks-faithful will still want to try the album, but its mediocre songs and altered star make it a Trash It for the rest of us. Greg also misses Nicks‘ distinctive personality and tires of the album’s inability to turn her meandering ideas into more shapely pop songs. Greg credits Nicks' former love and Fleetwood Mac bandmate Lindsey Buckingham for helping her achieve that in the past, but he's nowhere to be found on this record; except in many of the song's lyrics, which provide a sometimes uncomfortably voyeristic window into the couple's storied relationship. That said, the stripped-down piano and "Landslide"-like vocals on the song "Lady" are impressive, so Greg gives 24 Karat Gold: Songs from the Vault a conditional Try It.
Bob Seger Ride Out
When you hear the name Bob Seger, it's fair to picture your kooky aunt dancing to“Night Moves”at the last family BBQ. But, Jim and Greg say there's more to this Detroit rocker. Now with his 17th album, this elder statesmen is having a real impact in terms of influencing sounds for his neighbors to the south in Nashville. Think Zak Brown and Travis Tritt. So, what do we hear on Ride Out? In addition to some noteworthy covers of songs by Steve Earle, Woody Guthrie and John Hiatt, he really lets his personality shine through on his own material. But, while this artist deserves the respect of you youngins, this isn't a must-own according to Jim and Greg. They say Try It.
Kings of Leon Because of the Times
Southern rockers Kings of Leon have a new album out called Because of the Times. The members of the Nashville quartet were just in their teens when they first got signed to a major label, and now they're on to their third album. Jim comes right out of the gate with his opinion. He explains,“I loathe this album with a bile I reserve for very special occasions.”He thought the band was fairly harmless when they were just a hipper take on The Black Crowes. But, after receiving much hype from their label and being brought on large scale tours by Bob Dylan, Pearl Jam and U2, they've added an echo-drenched, reverb-laden arena rock sound that even U2's The Edge has moved on from. Because he finds the album retro, sexist and stupid, Jim gives it a Trash It rating. Hearing Jim's review of the record makes Greg like it even more. He describes Kings of Leon as sloppy Southern rock to the core, and really likes their guitar sound. It's retro, but unapologetically so for Greg. He gives Because of the Times a Burn It.
Eagles Long Road Out of Eden
So consumers are excited about Long Road Out of Eden, but how do Jim and Greg feel? Greg explains that with the exception of mentions of“cell phones”and“SUV's,”this album could just as easily have been made in 1980 as 2007. Don Henley and Glenn Frey are still up to their old tricks, mixing country and rock with a hint of sentimentality. In fact, while their country-rock fusion sound was radical in the 1970s, it's the norm in Nashville today. Greg hears nothing on this record that needs hearing, and recommends fans of the band check out their 1990 greatest hits album. Jim completely agrees; he doesn't want to hear Don Henley preaching about the sorry state of the world, particularly when the band agreed to sell its soul to Wal-Mart. But, more egregious than the terrible lyrics is the sleepy sound. The Eagles managed to be both irritating and boring, so they get a double Trash It.
Natalie Maines Mother
In a show dedicated to a country outlaw, how could we not review the new solo album by Dixie Chick Natalie Maines. She's certainly earned a reputation as an opinionated sass. But on Mother, she wants to be taken seriously. Why then, Jim wonders, would she tap Ben Harper to produce? Someone like Jack White could've given her the unique country soul she seeks. As it is, these songs belong as much on Nashville as they do in Nashville. Greg admires covers like Pink Floyd's "Mother," but she's out of her depths with many of the tracks. Ms. Maines gets a double Burn It.
Buddy Harman, one of music's great drummers, died this week at the age of 79. Greg explains that Harman was to Nashville what Benny Benjamin was to Detroit or what Hal Blaine was to Los Angeles. He helped define that sound and played on over 18,000 albums. Drumming wasn't even a major part of country music prior to Harman's residency. Just consider what "Pretty Woman" would be without that drum beat. In honor of Harman's passing, Greg chooses to add Elvis Presley's "Little Sister" to the Desert Island Jukebox this week. In addition to proving that Presley still had the chops after his stint in the military, the song showcases Harman's terrific drumming.Go to episode 144