Results for Nico

interviews

Joe Boyd

The guest this week is Joe Boyd. Boyd recently wrote a book, White Bicycles: Making Music in the 1960s, about his experiences as a producer, manager and club owner in London during that psychedelic era. Jim describes Boyd as one of rock's most fascinating behind-the-scenes characters. He has worked with Pink Floyd, The Incredible String Band, Fairport Convention and Bob Dylan just to name a few.

As an American living in England in the '60s, one of the ways Boyd made a name for himself was through his club UFO. The venue only lasted less than a year, but Boyd explains that those few months in 1967 were remarkable. UFO wasn‘t anything more than a basement, but it featured light shows, films and“happenings,”and was home base to Pink Floyd. The title of Boyd’s book gets its name from track "My White Bicycle," by Tomorrow, one of the many bands to perform at UFO. The song is about the free white bicycles that were passed around in Amsterdam at that time, and Boyd explains that by the end of 1967, most of those bicycles were stolen and re-painted. The result is a“heavy-handed metaphor”for the changing times according to the author.

One of Boyd's major contributions to music is that he is credited with“discovering”Nick Drake. During a meeting with John Cale, Boyd played some of Drake's music, and immediately Cale wanted a meeting with the rising talent. The next day, Cale abandoned his studio date with singer Nico and told Boyd that he wanted to record Drake by that afternoon. The music they made that day and in the years before Drake's tragic death propelled him into this romantic, cult status that grew even bigger after his song "Pink Moon," was used in a Volkswagen commercial.

Go to episode 73
specials

Desert Island Jukebox

All year long, Jim and Greg take turns dropping coins in the Desert Island Jukebox, talking about songs and albums they‘d need with them if stranded on an island. But now, at the year’s end, they're gonna take a break and let some of their favorite past guests do the heavy lifting. Hear what music they can't live without:

  • Lindsey Buckingham: The Beatles, Revolver
  • Trombone Shorty: Louis Armstrong, "On the Sunny Side of the Street"
  • Fred Armisen: Stereolab, "Cybele's Reverie"
  • Trey Parker: Elton John, "Indian Sunset" and Live in Australia with the Melbourne Symphony Orchestra
  • Matt Stone: James Brown, "There Was a Time"
  • Peter Hook: Nico, "Chelsea Girl"
  • Kelis: Rhye, "Open"
  • Robert Plant: Low, The Great Destroyer
  • Kerry King of Slayer: Ozzy Ozbourne, Blizzard of Oz
  • Dave Lombardo of Slayer: Amy Winehouse, Back to Black

Plus, check out our 2009 Desert Island Jukebox Special.

Go to episode 474
classic album dissections
The Velvet Underground & Nico (45th Anniversary Edition)The Velvet Underground & Nico available on iTunes

The Velvet Underground The Velvet Underground & Nico

According to Jim and Greg, few albums are worthier of the Classic Album Dissection treatment than The Velvet Underground's 1967 debut, The Velvet Underground & Nico. Songwriter and guitarist Lou Reed teamed with avant-garde violist/bassist John Cale in the mid-'60s to form the core of the band, joined by guitarist Sterling Morrison and drummer Maureen Tucker. The sonic assault of their live performances caught the attention of Andy Warhol. Warhol provided the funding for their debut album in 1966 and created the iconic banana cover art. He also insisted on featuring German chanteuse Nico on several tracks.

The Velvet Underground & Nico was released in March 1967 against a backdrop of psychedelia, the Summer of Love, and Sgt. Pepper's Loney Hearts Club Band. Its noisy, stark depictions of junkies and sadomasochism in New York City didn‘t fit well with that San Francisco feeling, and the album didn’t sell. But over the past half century, its reputation has grown to the point that, as Jim and Greg argue, it's become the most influential album in rock history. Each track has launched an entire genre, from the goth rock of "Venus in Furs" to the noise rock of "European Son" to the proto-shoegaze in "Heroin." It's hard to imagine bands like Sonic Youth, the Ramones, or Radiohead existing without The Velvet Underground & Nico. On the album's 50th anniversary, Jim and Greg tell the history of the band, give a detailed examination of each of the album's songs, and share their thoughts on its legacy.

Go to episode 597
reviews
New York CityNew York City available on iTunes

Brazilian Girls New York City

After seeing Brazilian Girls wow crowds at Lollapalooza, Jim and Greg wanted to review the latest album from the international quartet called New York City. Jim compares the group to Stereolab, with influences in '60s lounge music, as well as German krautrock, but explains they are more danceable. He loves lead singer Sabina Sciubba's on-stage and on-record persona which is part Nico, part Jane Birkin and part Astrud Gilberto. He gives the album a Buy It. Greg is less enthused. He finds the album to be pleasant, but less up-tempo than previous efforts. He wishes they had more to say and thinks it's just merely background music. He gives it a Try It.

JimGreg
Go to episode 142
BloomBloom available on iTunes

Beach House Bloom

Baltimore duo Beach House has released a fourth album called Bloom. And fans can expect more of what they love about the band: Victoria Legrand's beautiful, but deadpanned voice and Alex Scally's shimmering keyboards and muted drums. Greg likes this sound, but feels like he's on a merry-go-round with the band. They seem afraid to go anywhere further. So he says Burn It. Jim explains that even hipsters need make out or chill out music. This is no Cocteau Twins or Nico, but a great addition to your collection if you are looking for something quiet. If you are going to get one Beach House album, Bloom is the Buy It.

JimGreg
Go to episode 339
dijs

Jim

“These Days”Nico

For Jim's Desert Island Jukebox selection this week, he looked to one of his favorite rock-infused films, The Royal Tenenbaums. He describes his favorite scene between Gwyneth Paltrow and Luke Wilson that ends with the Nico track "These Days." With her perfect“oval”voice, Nico put a spell on everyone from Jackson Browne to Andy Warhol, and Jim is not immune.

Go to episode 222
features

SXSW '06

This week on the show, Jim and Greg share their recent experiences at the SXSW Festival in Austin, Texas. Our hosts joined over 10,000 other festival registrants to attend music industry panels, conduct interviews, and most importantly, see new bands. In the four days they were there, Jim and Greg heard a lot of music. They share some of the best with you.

  • First is The Dresden Dolls. Jim went to see the Boston group and fell in love with their blend of German cabaret performance style and '80s synth-pop melodies. You can hear a little bit of "Modern Moonlight" off their upcoming release, Yes Virginia.

  • Next up, Greg discusses one his finds: Art Brut. He enjoyed this British band's straightforward melodies, catchy choruses, and witty monologues so much that he saw them twice in Austin. This critic even scrawled“New Kings of Rock”in his notebook following one performance. Jim joined him to see the band at the Pitchfork/Windish party, where they shared a bill with RJD2, Spank Rock, and one of Greg's other discoveries, Swedish indie pop quintet Love is All. Art Brut, who just recently played a sold-out show at the Metro, entertained the entire staff so much that they were invited to appear on the show the week after the festival wrapped. Listen for that interview in the weeks to come.

Beastie Boys at SXSW 2006

  • In between running from show to show, Jim and Greg took a brief moment to sit down with The Beastie Boys. The hip-hop pioneers were down in Austin to promote their recent concert film, Awesome; I Fucking Shot That, and spoke to Jim and Greg about making the movie, sampling, copyright laws, and the longevity of their career.

  • Back to the rundown of our hosts‘ favorite Austin discoveries. Jim’s next pick, The Black Angels, actually hails from the Texas state capital. After reading Jim's book on psychedelic rock, members of the band contacted him and explained that they were right up his alley. They were right. Jim, who caught some of the dark, Velvet Underground-influenced music in the sterile environment of Austin Convention Center, was totally blown away. To describe the band, he quotes their website which begs the listener to "Picture a red moonlit night, deep in the heart of Texas, with the ghosts of Nico and Timothy Leary being called back from the dead to guide you on a journey through Heaven & Hell and back again." Whoa, man…

  • Greg loves coming to Austin to see bands that may not get to the States otherwise. One such band is Serena Maneesh. The Norwegian group is one of many contemporary bands compared to My Bloody Valentine. Often referred to as“shoegazers,”these musicians are often literally standing, staring at their shoes, while producing a heavy, overdriven, almost symphonic guitar sound. Serena Maneesh is certainly channeling this influence — however, as Greg explains, this band is also quite performative. Our host describes how the lead guitar player, theatrically dressed as a gypsy showman, was joined by an“Amazonian”bass player. Only during SXSW can you see this in Texas, notes Jim.

Tim Fite at SXSW 2006

  • We next hear some audio of Jim recorded down in Austin. He is describing one of his favorite acts: Tim Fite. Some may remember Fite's previous incarnation in Little T and One Track Mic and their one hit, "Shaniqua." But after getting signed to Atlantic and touring with Outkast, Little T went nowhere. Now, Fite has reinvented himself as a 1920s southern preacher/rapper who combines an O Brother, Where Art Thou? sound with irreverent lyrics and hip-hop. Gone Ain't Gone is forthcoming on Anti-/Epitaph, making Fite label mates with Neko Case and Blackalicious.

  • The Swedish band Love is All (mentioned above) is another of Greg's discoveries. This Swedish indie-pop group is one of many European bands who are rediscovering American music. This band is particularly influenced by musicians like James Chance and the Contortions and Lydia Lunch who fused both jazz and punk. Love is All became Greg's go-to CD while he was driving around the city of Austin.

  • Listeners can now hear what Jim and Greg really sound like at SXSW: definitely over-tired, and perhaps over-served. Our hosts caught up with Sound Opinions H.Q. immediately after going to see Rhys Chatham at Austin's Central Presbyterian Church, an experience they described as slightly mind-blowing. The avant-garde guitarist has basically been living in exile in Paris for the past decade, but emerged in Austin with a newly-formed guitar army: eight guitarists including Doug McCombs of Eleventh Dream Day and Tortoise, Ernie Brooks of The Modern Lovers and Thurston Moore of Sonic Youth. Jim reports that Chatham recently received a grant allowing him to realize his long-fantasized 100-member guitar ensemble.

  • One of the SXSW events Greg always tries to attend is Alejandro Escovedo's Sunday night show. This year Grady was one of the opening acts. Greg found their huge, overpowering sound on par with that of Chatham's guitar army. He also compares their sound to that of ZZ Top's early days. Listen for yourself as Greg plays a sample of their 2004 release Y.U. So Shady?

  • White Whale is Jim's final discovery. He caught the band at the Merge showcase, a label that usually delivers for this critic. He was again not disappointed. White Whale, whose members have been in a number of other indie rock bands including Butterglory, Three Higher Burning Fire and The Get Up Kids, impressed Jim with more than just its name. He found their sound to be a mix of Nick Drake and Pink Floyd, and also reminiscent of Elephant Six bands like Apples in Stereo and Neutral Milk Hotel. So far their music can only be heard on Myspace.com, but White Whale may turn out to be another SXSW success story.

  • Greg's final pick is a band called Katahdin's Edge. He caught the group after originally trying to see a Finnish band who couldn‘t make it into the country. He was blown away, and despite getting thousands of free CDs for his day job, Greg was compelled to put down his own money for a Katahdin’s Edge album. This trio from Providence is an example of how jazz and rock can fuse in a great way. Rather than take an academic approach to jazz, Katahdin's Edge had a rock and roll, party edge that Greg really appreciated.

  • Greg was also caught on tape before and after seeing the biggest hype of this year's festival: The Arctic Monkeys. This has been quite the year for the young British band. In January they broke records for first-week sales in the U.K. with their debut release Whatever People Say I Am, That's What I'm Not. In addition, they‘ve been proclaimed by many in the press as the greatest band to emerge from the U.K. in years. That’s a lot for a new band to live up to, but Greg was pleased with what he saw. While the Arctic Monkeys may not be what their hype claims, the music was well-rehearsed, packed with rhythm, and downright“ferocious”according to our host. Plus, the lead singer already seems to have the rock and roll attitude down.

Go to episode 18