Results for Stephen Stills

interviews

Don Felder

Guitarist Don Felder joins Jim and Greg this week. Felder was a member of The Eagles from 1974-1980, and then again 1994-2001. He recently wrote a book about those years called Heaven and Hell: My Life in the Eagles, and Jim and Greg were eager to get the inside scoop on the notoriously contentious band. Felder, who played with Stephen Stills, Tom Petty and The Allmans prior to the Eagles, also reveals what it was like to pen a classic tune like "Hotel California." While the Eagles weren‘t improvisational, Felder credits learning jazz guitar with giving him the techniques necessary to play onstage and in the studio. Unfortunately those musical skills don’t help one survive life in a band.

Go to episode 154

Booker T. Jones

When Jim and Greg were at SXSW, they were invited to interview soul legend Booker T. Jones in front of a live audience. This week, you'll get to hear some highlights of that interview. Jim and Greg start the interview by asking Booker how he became such a musical prodigy. The multi-instrumentalist, who has played tuba, piano, saxophone, guitar, oboe, and of course, most notably, organ, credits his musical family with steering him on that path. This path took him to Stax Records where he, Steve Cropper, Al Jackson, Jr., and Lewie Steinberg (later replaced by Duck Dunn) formed Booker T. and the MGs. While Booker was still in high school, the group recorded "Green Onions," which went on to become one of their most well-known hits.

Jim asks how Booker feels about being relegated to the role of“side man,”in music history, but the musician explains that he feels nothing but pride about being“best supporting musician.”In fact, Booker explains that being a side man elevated him as a musician and allowed him to do so much more than he would have been able to solo. Some of the people our guest has recorded with over the years include Otis Redding, Sam and Dave, Ray Charles, and even Barbra Streisand.

Booker T. and the MG's not only played with an impressive cast in the studio, but on the road as well. Jim and Greg highlight his 1967 European tour with other Stax artists, and ask Booker what everyone must have been on to get that powerful, lighting fast tempos. Booker attributes that kind of energy and enthusiasm to people like Otis Redding and Al Jackson, describing them as“possessed people.”The Monterey International Pop Music Festival followed in the summer of 1967, and Booker describes this experience as one of the most eye-opening of his life. With everyone (including the Hell's Angels) collectively joining in to ensure its success, this concert was an affirmation of the values of peace and love everyone there believed in. The MGs went on to perform with Neil Young and with many artists at the Bob Dylan tribute in 1992 including George Harrison and Eric Clapton, who he dishes on later in the interview.

Performing at Monterey eventually led Booker to leave his steady stream of jobs at Stax and venture out to California. As a solo performer and producer Booker challenged himself with a number of new projects including a collection of standards for his neighbor, Willie Nelson. He also worked in the studio with Stephen Stills, Rita Coolidge, Bill Withers and Neil Young.

Go to episode 72
features

Hooked On Sonics: Judy Collins

Judy Collins Folksinger Judy Collins has been releasing music continuously since 1961, scoring hits with renditions of "Both Sides Now," "Suzanne," "Amazing Grace," "Send in the Clowns," and more. Her new album is Everybody Knows, a collaboration with Stephen Stills (who wrote "Suite: Judy Blue Eyes" about her decades ago). But in the latest installment of our Hooked on Sonics series, Collins goes back to the beginning of her musical life and shares the song that got her into folk music: a version of "The Whistling Gypsy," aka "The Gypsy Rover," from The Black Knight, a 1954 Arthurian film starring Alan Ladd.

Go to episode 620