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The biopic film Straight Outta Compton debuted this past weekend to a monster box office earning over $56 million. The movie tells the story of the group N.W.A. and how they created the blue print for west coastand gangster rap in the '80s and early '90s. Jim recently saw the film and thought more about the biopic genre in general. He thought that this was a VH1-type film that largely glossed over many of the important truths of the band's history, including Dr. Dre's misogyny in both his lyrics and his actions. Greg agrees that the story of Dee Barnes, a female journalist covering N.W.A who was physically assaulted by Dre, was excluded from the film. Jim ultimately thinks the biopic doesn't work as journalism or biography, but instead acts as a missed opportunity to tell the whole truth of the story.

Two celebrated '70s producers passed away this week: Bob Johnston, longtime Bob Dylan producer, and Billy Sherrill, creator of the countrypolitan genre and producer of George Jones and Tammy Wynette. As an in-house producer for Columbia Records, Johnston produced some of Dylan's most notable albums, including Blonde on Blonde and Nashville Skyline. Johnston also served as the producer for Johnny Cash's At Folsom Prison, which only came about after Johnston's persistent efforts. With a similar determination, Sherrill ignited the careers of country artists like Jones and Wynette with hit songs "He Stopped Loving Her Today" and "Stand By Your Man." However, Greg chooses to honor Sherrill by playing The Staple Singers' "Why Am I Treated So Bad," a track that he produced before entering the country music scene. Sherrill produced songs for early R&B artists when no other producer would, earning him tremendous respect.

Go to episode 508