Results for ZZ Top

interviews

Keven McAlester

One of rock's most influential and interesting figures is former 13th Floor Elevators frontman Roky Erickson. After performing with the psychedelic band in the '60s and as a solo artist in the '80s, the singer's mental and physical health took a severe decline. But in the past couple of years, Roky's sights have improved, and Jim and Greg took this opportunity to celebrate his legacy. During this you'll hear their discussion with Keven McAlester, the director of the film biography You're Gonna Miss Me. McAlester spoke to Jim and Greg after a special screening of the film at Chicago's Music Box Theatre.

Jim and Greg highlight two of their favorite Roky Erickson tracks from different points in his career. The first is a 13th Floor Elevators song called "Reverberation Doubt," which Jim explains is an example of how psychedelic the band was. The song was not only influenced by psychedelic drugs, but it conveys the experience of using them. Jim discusses the term“synesthesia,”which refers the drugs' ability to allow you to actually see musical notes, and“Reverberation Doubt”has a similar effect. As he states, it gives you the "sense that the entire world is vibrating."

The second is a solo track from a later period in Roky's career. "Red Temple Prayer (Two-Headed Dog)" was recorded after Roky came out of Rusk State Mental Hospital in Texas, and wasn't in very good shape. But, musically he was very productive, and became one of the American artists to really lay the groundwork for punk music. Roky's songwriting at this time was influenced greatly by horror movies, and the title of this song gives a sense of where his mental state was. Greg describes“Two-Headed Dog”as a brutal, but wonderfully hard-hitting song.

You'll also hear a montage of covers from the tribute album Where the Pyramid Meets the Eye:

  • R.E.M., "I Walked with a Zombie"
  • ZZ Top, "Reverberation"
  • T-Bone Burnett, "Nothing in Return"
  • Butthole Surfers, "Earthquake"
  • Julian Cope, "I Have Always Been Here Before"
Go to episode 91

Billy Gibbons

Jim and Greg sit down with the surprisingly complex lead singer of ZZ Top, Billy Gibbons.

Go to episode 5
reviews
PerfectamundoPerfectamundo available on iTunes

Billy Gibbons Perfectamundo

If your only knowledge of Billy Gibbons is through his band ZZ Top's cartoonish videos, you may be surprised to find he is a gentleman, scholar, and connoisseur. He was also one of the first guests ever on Sound Opinions. Through his father, a bandleader in the Houston area, Gibbons was able to meet and apprentice under the famed Latin percussionist Tito Puente. On his first solo album Perfectamundo, the Texas guitarist is exploring those Afro-Cuban roots. Jim admits that Gibbons doesn't have much to say lyrically, but finds the record deep culturally. Gibbons manages to unite the blues and Latin music and has a great time doing it. For Jim, the album is a complete and utter joy – it gets a Buy It. Greg, however, disagrees. He likes the combination of the Hammond B3 organ with the Afro-Cuban polyrhythms, but finds there are too few of those moments. Gibbons makes a failed attempt to update his sound with guest spots from Houston rapper Garza, and his songwriting is underdeveloped with inane lyrics. Greg is forced to give Perfectamundo a Trash It.

JimGreg
Go to episode 519
lists

Songs About Radio

This week's feature celebrates an important, albeit struggling medium: Radio. Last year national radio revenue fell 18%, and the industry overseas isn't immune either. Even powerhouse BBC has been facing tough economic times. While bands have many other methods of promotion and distribution these days, radio airplay still significantly boosts record sales. Musicians are now looking to radio performances as another source of revenue. Jim and Greg both fondly remember discovering new bands on their FM dials. To honor that legacy, they play these great Radio-Inspired Tracks:

Go to episode 223
features

SXSW '06

This week on the show, Jim and Greg share their recent experiences at the SXSW Festival in Austin, Texas. Our hosts joined over 10,000 other festival registrants to attend music industry panels, conduct interviews, and most importantly, see new bands. In the four days they were there, Jim and Greg heard a lot of music. They share some of the best with you.

  • First is The Dresden Dolls. Jim went to see the Boston group and fell in love with their blend of German cabaret performance style and '80s synth-pop melodies. You can hear a little bit of "Modern Moonlight" off their upcoming release, Yes Virginia.

  • Next up, Greg discusses one his finds: Art Brut. He enjoyed this British band's straightforward melodies, catchy choruses, and witty monologues so much that he saw them twice in Austin. This critic even scrawled“New Kings of Rock”in his notebook following one performance. Jim joined him to see the band at the Pitchfork/Windish party, where they shared a bill with RJD2, Spank Rock, and one of Greg's other discoveries, Swedish indie pop quintet Love is All. Art Brut, who just recently played a sold-out show at the Metro, entertained the entire staff so much that they were invited to appear on the show the week after the festival wrapped. Listen for that interview in the weeks to come.

Beastie Boys at SXSW 2006

  • In between running from show to show, Jim and Greg took a brief moment to sit down with The Beastie Boys. The hip-hop pioneers were down in Austin to promote their recent concert film, Awesome; I Fucking Shot That, and spoke to Jim and Greg about making the movie, sampling, copyright laws, and the longevity of their career.

  • Back to the rundown of our hosts‘ favorite Austin discoveries. Jim’s next pick, The Black Angels, actually hails from the Texas state capital. After reading Jim's book on psychedelic rock, members of the band contacted him and explained that they were right up his alley. They were right. Jim, who caught some of the dark, Velvet Underground-influenced music in the sterile environment of Austin Convention Center, was totally blown away. To describe the band, he quotes their website which begs the listener to "Picture a red moonlit night, deep in the heart of Texas, with the ghosts of Nico and Timothy Leary being called back from the dead to guide you on a journey through Heaven & Hell and back again." Whoa, man…

  • Greg loves coming to Austin to see bands that may not get to the States otherwise. One such band is Serena Maneesh. The Norwegian group is one of many contemporary bands compared to My Bloody Valentine. Often referred to as“shoegazers,”these musicians are often literally standing, staring at their shoes, while producing a heavy, overdriven, almost symphonic guitar sound. Serena Maneesh is certainly channeling this influence — however, as Greg explains, this band is also quite performative. Our host describes how the lead guitar player, theatrically dressed as a gypsy showman, was joined by an“Amazonian”bass player. Only during SXSW can you see this in Texas, notes Jim.

Tim Fite at SXSW 2006

  • We next hear some audio of Jim recorded down in Austin. He is describing one of his favorite acts: Tim Fite. Some may remember Fite's previous incarnation in Little T and One Track Mic and their one hit, "Shaniqua." But after getting signed to Atlantic and touring with Outkast, Little T went nowhere. Now, Fite has reinvented himself as a 1920s southern preacher/rapper who combines an O Brother, Where Art Thou? sound with irreverent lyrics and hip-hop. Gone Ain't Gone is forthcoming on Anti-/Epitaph, making Fite label mates with Neko Case and Blackalicious.

  • The Swedish band Love is All (mentioned above) is another of Greg's discoveries. This Swedish indie-pop group is one of many European bands who are rediscovering American music. This band is particularly influenced by musicians like James Chance and the Contortions and Lydia Lunch who fused both jazz and punk. Love is All became Greg's go-to CD while he was driving around the city of Austin.

  • Listeners can now hear what Jim and Greg really sound like at SXSW: definitely over-tired, and perhaps over-served. Our hosts caught up with Sound Opinions H.Q. immediately after going to see Rhys Chatham at Austin's Central Presbyterian Church, an experience they described as slightly mind-blowing. The avant-garde guitarist has basically been living in exile in Paris for the past decade, but emerged in Austin with a newly-formed guitar army: eight guitarists including Doug McCombs of Eleventh Dream Day and Tortoise, Ernie Brooks of The Modern Lovers and Thurston Moore of Sonic Youth. Jim reports that Chatham recently received a grant allowing him to realize his long-fantasized 100-member guitar ensemble.

  • One of the SXSW events Greg always tries to attend is Alejandro Escovedo's Sunday night show. This year Grady was one of the opening acts. Greg found their huge, overpowering sound on par with that of Chatham's guitar army. He also compares their sound to that of ZZ Top's early days. Listen for yourself as Greg plays a sample of their 2004 release Y.U. So Shady?

  • White Whale is Jim's final discovery. He caught the band at the Merge showcase, a label that usually delivers for this critic. He was again not disappointed. White Whale, whose members have been in a number of other indie rock bands including Butterglory, Three Higher Burning Fire and The Get Up Kids, impressed Jim with more than just its name. He found their sound to be a mix of Nick Drake and Pink Floyd, and also reminiscent of Elephant Six bands like Apples in Stereo and Neutral Milk Hotel. So far their music can only be heard on Myspace.com, but White Whale may turn out to be another SXSW success story.

  • Greg's final pick is a band called Katahdin's Edge. He caught the group after originally trying to see a Finnish band who couldn‘t make it into the country. He was blown away, and despite getting thousands of free CDs for his day job, Greg was compelled to put down his own money for a Katahdin’s Edge album. This trio from Providence is an example of how jazz and rock can fuse in a great way. Rather than take an academic approach to jazz, Katahdin's Edge had a rock and roll, party edge that Greg really appreciated.

  • Greg was also caught on tape before and after seeing the biggest hype of this year's festival: The Arctic Monkeys. This has been quite the year for the young British band. In January they broke records for first-week sales in the U.K. with their debut release Whatever People Say I Am, That's What I'm Not. In addition, they‘ve been proclaimed by many in the press as the greatest band to emerge from the U.K. in years. That’s a lot for a new band to live up to, but Greg was pleased with what he saw. While the Arctic Monkeys may not be what their hype claims, the music was well-rehearsed, packed with rhythm, and downright“ferocious”according to our host. Plus, the lead singer already seems to have the rock and roll attitude down.

Go to episode 18