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reviews
Happy HollowHappy Hollow available on iTunes

Cursive Happy Hollow

Switching gears, Jim and Greg next discuss Happy Hollow, the latest release from Omaha indie rock group Cursive. At first they were concerned that the band, and frontman Tim Kasher, were merely like the younger brothers of fellow Omaha emo outfit Bright Eyes. But Kasher and co. have proved themselves to be really adventurous songwriters and musicians, more in the New Wave tradition than the Conor Oberst tradition. Both Jim and Greg give Happy Hollow a Buy It, though they hope the band gets better live.

JimGreg
Go to episode 39
Cassadaga (Remastered)Cassadaga available on iTunes

Bright Eyes Cassadaga

Up next Jim and Greg review Conor Oberst's latest Bright Eyes album, Cassadaga. The Nebraska artist is only 27 years old, but has been making music for almost half his life. His last two Bright Eyes albums, which were released by Saddle Creek Records on the same day, sold a combined 642,000 copies — a major feat for an artist who gets no commercial radio or MTV play and who won't play at Live Nation venues. Jim jokes that many people have branded Oberst "the new Bob Dylan," a terrible cliché in rock criticism. If that's the case, this is Bright Eyes' Basement Tapes album. Oberst's lyrics are entirely too earnest and "emo" for Jim, but he really enjoys the beautiful, well-constructed melodies on Cassadaga. Therefore, he gives the album a Burn It. Greg agrees that Oberst can be a“drama queen”at times, but notes that the singer did bring down the vocal ticks and histrionics a notch on this collection of songs. He seems more at ease on these songs and agrees with Jim's Basement Tapes analogy. But, for Greg, the lyrics have not improved and are as clich'ed and overwrought as ever. He can only give it a Burn It.

JimGreg
Go to episode 73