world tours 2016
Every once in a while, Jim and Greg embark on the Sound Opinions World Tour and explore the music of another country. This week felt like a fine time to turn to our neighbor to the north and look at the music coming out of Canada today. As their guide, they're joined by music critic Ben Rayner of the the Toronto Star. Ben takes them from Montreal's experimental/electronic scene to the noise-pop of Halifax to the country's growing hip-hop culture. He also explains how the government supports pop music via grants and the "Cancon" regulations requiring broadcasters to air a certain amount of Canadian music. Ben also recommends two up-and-coming Canadian artists: Inuk throat singer Tanya Tagaq and Acadian folk-rocker Lisa LeBlanc.
Jim and Greg also dig through the Sound Opinions archives and share their favorite performances and interviews from Canadian artists, including a stripped down song from Montreal's Arcade Fire, a conversation with Toronto's Feist from early in her career, and a performance from the Vancouver supergroup The New Pornographers. Plus, they revisit their conversation with the most Canadian of all bands: Rush.Go to episode 572
The excitement of the Olympics in Rio de Janeiro will soon fade into memory, but the music coming out of Brazil has endured for centuries. Jim and Greg bring the Sound Opinions World Tour to Brazil and explore the country's rich musical heritage. Of course, Brazil is enormous and has produced more genres of music than we could even name. So Jim and Greg focus first on the pivotal period of 1958-1968, beginning with the rise of bossa nova. Our guide is Sérgio Mielniczenko, host of The Brazilian Hour radio show since 1978. He explains how the deceptively minimalistic yet harmonically complex music of João Gilberto, Antônio Carlos Jobim, Sérgio Mendes, and other bossa nova artists revolutionized music in Brazil and around the world.
But in 1964, just as "The Girl From Ipanema" was becoming a global hit, Brazil's government was overthrown in a military coup. Artists like Edu Lobo, Chico Buarque, and Geraldo Vandré turned to socially conscious protest songs in response. This post-bossa nova generation became known as música popular brasileira (Brazilian popular music) or MPB. Meanwhile, the Jovem Guarda (Young Guard) led by Roberto Carlos created an apolitical form of Brazilian rock ‘n’ roll. And in the late '60s, the Tropicália movement blended high art, lowbrow kitsch, traditional Brazilian rhythms, psychedelic rock, and electric instruments into an irreverent mix. Tropicalistas like Caetano Veloso, Gilberto Gil, Os Mutantes, Tom Zé, and Gal Costa were curtailed by the government crackdown of 1968, but their music has proved influential for decades.
Jim and Greg also want to acknowledge all of the great new music coming out of Brazil. Chris McGowan, author of The Brazilian Sound and The Brazilian Music Book, calls in from Rio and explains that Brazil is a large country and there are a huge variety of popular musical styles. He runs through some of the most popular genres of the moment, starting with sertanejo, Brazilian country music. They also talk about new avant-garde music, Brazilian hip hop, and electronic dance genres Axé and tecno brega.Go to episode 560